Young Musicians
- Midwest Young Artists Discover National Chamber Music Competition: http://www.mya.org/chambercomp.php - For pre-College chamber ensembles: strings, piano, winds (Highwood, Illinois, USA)
- American Protege International Piano and Strings Competition International Competition for Young Pianists and Professionals with winners performing at Carnegie Hall, New York
- Fischoff National Chamber Music Competition
- International Competition for Young Classical Guitarists, Siracusa, Italy,
- BBC Young Musician of the Year
- Concert Artists Guild, a series of competitions for younger, up-and-coming musicians,
- Concours De La Musique orchestral competition for young musicians,
- International Competition for Young Violinists "Bravo!"(Namur, Belgium),
- International Russian Rotary Children Music Competition, Moscow, piano,string instrument, wind instrument/
- International Tchaikovsky Competition for Young Musicians
- Jeunesses International Music Competition, Bucharest, Romania
- Yehudi Menuhin International Competition for Young Violinists - London and Oslo
- The Respighi Prize Music Competition for Young Composers & Soloists - New York & Bologna
- Young Concert Artists International Competition
- International Independent Music Competition "Individualis", Ukraine, piano,string instruments, wind instruments, brass instruments, quartets, voice, ensembles, guitar, folk instruments/
- International Johann Sebastian Bach Competition in Leipzig
Read more about this topic: List Of Classical Music Competitions
Famous quotes containing the words young and/or musicians:
“Much is made of the accelerating brutality of young peoples crimes, but rarely does our concern for dangerous children translate into concern for children in danger. We fail to make the connection between the use of force on children themselves, and violent antisocial behavior, or the connection between watching father batter mother and the child deducing a link between violence and masculinity.”
—Letty Cottin Pogrebin (20th century)
“Music is of two kinds: one petty, poor, second-rate, never varying, its base the hundred or so phrasings which all musicians understand, a babbling which is more or less pleasant, the life that most composers live.”
—HonorĂ© De Balzac (17991850)