List of Classical Music Competitions - String Instrument

String Instrument

  • American Protege International Piano and Strings Competition International Competition for Young Pianists and Professionals with winners performing at Carnegie Hall, New York
  • Antonio Janigro International Cello Competition - Croatia
  • Balys Dvarionas International Competition for Young Pianists and Violinists, Vilnius
  • Concours FLAME – Paris, France
  • Hugo Kauder Society-International Music Competition - CT, USA
  • Henryk Wieniawski Violin Competition – Poznań, Poland
  • International Brahms Competition - Austria
  • International Jean Sibelius Violin Competition - Finland
  • International Violin Competition Henri Marteau -
  • ISANGYUN Competition - South Korea
  • Klein Competition, San Francisco, California USA
  • Jeunesses International Music Competition, Bucharest, Romania
  • George Enescu International Violin Competition - Bucharest, Romania
  • Lionel Tertis International Viola Competition – Isle of Man
  • Long-Thibaud-Crespin Competition (previously the International Marguerite Long-Jacques Thibaud Competition) - Paris
  • Maurice Vieux International Viola Competition – France
  • Michael Hill International Violin Competition – New Zealand
  • Moscow International David Oistrakh Violin Competition - Moscow, Russia
  • Paganini International Competition – Genoa
  • Città di Brescia International Violin Competition – Brescia, Italy
  • Primrose International Viola Competition – North America
  • Queen Elisabeth Music Competition – Belgium
  • The Respighi Prize Music Competition for Young Composers & Soloists - New York & Bologna
  • Sendai International Music Competition, Sendai, Japan
  • Stulberg International String Competition, Kalamazoo, Michigan USA
  • Tchaikovsky International Competition – Moscow, Russia
  • TROMP international music competition & Festival – Netherlands
  • Windsor International String Competition - United Kingdom
  • Yehudi Menuhin International Competition for Young Violinists – London and Beijing

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    —A.I. (Albert Isaac)

    English audiences of working people are like an instrument that responds to the player. Thought ripples up and down them, and if in some heart the speaker strikes a dissonance there is a swift answer. Always the voice speaks from gallery or pit, the terrible voice which detaches itself in every English crowd, full of caustic wit, full of irony or, maybe, approval.
    Mary Heaton Vorse (1874–1966)