List of British Architects - Palladian and English Baroque Architects

Palladian and English Baroque Architects

Early 17th century to mid–18th century.

A - I
  • William Adam (1689–1748)
  • Henry Aldrich (1647–1710)
  • Thomas Archer (1668–1743)
  • John Bastard (c.1668–1770)
  • William Bastard (c.1689–1766)
  • Henry Bell (died 1711)
  • Jean (or Johann von) Bodt (1670–1745)
  • Richard Boyle, 3rd Earl of Burlington (1694–1753)
  • Sir William Bruce (c. 1630–1710)
  • Colen Campbell (1676–1729)
  • Thomas Cartwright (c. 1653–1703)
  • Richard Cassels (1690–1751)
  • Isaac de Caus (1590–1648)
  • George Clarke (1661–1736)
  • William Etty (c1675–1734)
  • Henry Flitcroft (1697–1769)
  • Sir Balthazar Gerbier (1592–1663)
  • James Gibbs (1682–1754)
  • Sir Bernard de Gomme (1620–1685)
  • Nicholas Hawksmoor (c. 1661–1736)
  • Samuel Hauduroy (flourished 1692–1712)
  • Robert Hooke (1635–1703)
  • William Hurlbutt (flourished 1670–1684)
J - Z
  • John James (1673–1746)
  • Edward Jerman (c.1605–1668)
  • Inigo Jones (1573–1652)
  • Christopher Kempster (1627–1715)
  • William Kent (c. 1685–1748)
  • Giacomo Leoni (1686–1746)
  • Hugh May (1621–1684)
  • Robert Mylne (1633–1710)
  • Sir Edward Lovett Pearce (1699–1733)
  • Sir Roger Pratt (1620–1684)
  • Francis Smith (1672–1738)
  • James Smith (c. 1645–1731)
  • Nicholas Stone (1586–1647)
  • William Talman (1650–1719)
  • Sir John Vanbrugh (1664–1726)
  • William Wakefield (died 1730)
  • John Webb (1611–1672)
  • Thomas White (c1674–1748)
  • Lady Elizabeth Wilbraham (1632–1705)
  • William Winde (c. 1645–1722)
  • Sir Christopher Wren (1632–1723)

Read more about this topic:  List Of British Architects

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    The first faults are theirs that commit them, the second theirs that permit them.
    —18th-century English proverb.

    It is the Late city that first defies the land, contradicts Nature in the lines of its silhouette, denies all Nature. It wants to be something different from and higher than Nature. These high-pitched gables, these Baroque cupolas, spires, and pinnacles, neither are, nor desire to be, related with anything in Nature. And then begins the gigantic megalopolis, the city-as-world, which suffers nothing beside itself and sets about annihilating the country picture.
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