American 65/70 Mm Films
- Oklahoma! (1955) – Todd-AO @ 30 frame/s; this production also shot in 35 mm CinemaScope @ 24 frame/s
- Around the World in Eighty Days (1956) – Todd-AO; shot twice, with cameras running at 30 and 24 frame/s, respectively
- Raintree County (1956) – MGM Camera 65; exhibited only in 35 mm CinemaScope since all the 70 mm cinemas were booked
- South Pacific (1958) – Todd-AO
- Ben-Hur (1959) – MGM Camera 65
- Porgy and Bess (1959) – Todd-AO
- The Big Fisherman (1959) – Super Panavision 70
- Scent of Mystery (1960) – Todd-70 and Smell-O-Vision. Todd-Belock 8-channel Sound, which used a control signal to "steer" the single surround channel to three surround tracks (right wall, left wall and rear wall). This title was later re-edited, optically converted to 3-strip Cinemiracle and re-released without the odors as Holiday in Spain in 1961. It was exhibited in both Cinerama and Cinemiracle.
- Can-Can (1960) – Todd-AO
- The Alamo (1960) – Todd-AO
- Exodus (1960) – Super Panavision 70
- West Side Story (1961) – Panavision 70
- Lawrence of Arabia (1962) – Super Panavision 70
- Mutiny on the Bounty (1962) – Ultra Panavision 70
- It's a Mad, Mad, Mad, Mad World (1963) – Ultra Panavision 70; shown in 70 mm Cinerama
- Cleopatra (1963) – Todd-AO (shooting started in CinemaScope, changed to 3-panel Cinerama and finally to Todd-AO. The anamorphic and 3-panel footage was discarded.)
- The Fall of the Roman Empire (1964) – Ultra Panavision 70
- My Fair Lady (1964) – Super Panavision 70
- Cheyenne Autumn (1964) – Super Panavision 70
- The Sound of Music (1965) – Todd-AO (second unit photography in Superpanorama 70)
- Those Magnificent Men in Their Flying Machines (1965) – Todd-AO (some scenes in Superpanorama 70)
- The Agony and the Ecstasy (1965) – Todd-AO
- The Greatest Story Ever Told (1965) – Ultra Panavision 70; shown in 70 mm Cinerama
- The Hallelujah Trail (1965) – Ultra Panavision 70; shown in 70 mm Cinerama
- Battle of the Bulge (1965) – Ultra Panavision 70; shown in 70 mm Cinerama
- Lord Jim (1965) – Super Panavision 70
- Khartoum (1966) – Ultra Panavision 70; shown in 70 mm Cinerama
- Grand Prix (1966) – Super Panavision 70 (some scenes in Superpanorama 70); shown in 70 mm Cinerama
- The Bible: In The Beginning (1966) – Dimension 150 (credited as D-150)
- Doctor Dolittle (1967) – Todd-AO
- 2001: A Space Odyssey (1968) – Super Panavision 70; some shots in Todd-AO; aerial shots from the stargate sequence in Superpanorama 70. Shown in 70 mm Cinerama
- Ice Station Zebra (1968) – Super Panavision 70 (shooting started in Ultra Panavision 70 then switched to Super Panavision 70); shown in 70 mm Cinerama
- Star! (1968) – Todd-AO
- Hello, Dolly! (1969) – Todd-AO
- Krakatoa, East of Java (1969) – Todd-AO and Super Panavision 70 shown in 70 mm Cinerama
- Airport (1970) – Todd-AO
- Patton (1970) – Dimension 150
- Song of Norway (1970) – Super Panavision 70, shown in 70 mm Cinerama, advertised as "On the Cinerama screen" in some countries
- The Last Valley (1970) – Todd-AO (the last film made for 70 mm Cinerama, but never shown in that format)
- Far and Away (1992) – Panavision System 65; segments in Arri 765 and VistaVision
- Baraka (1992) – Todd-AO, documentary
- Hamlet (1996) – Panavision System 65; segments in Arri 765
- Samsara (2011) – Panavision System 65, documentary
- The Master (2012) - Panavision System 65
Read more about this topic: List Of 70 Mm Films
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