Lisa Robertson - Work

Work

Her work is a deep questioning of language, history and gender.

She intentionally alters her writing style for each book-length work, although tends to not to stray too far from the form of the sentence and the issue of civic referentiality. Robertson refers to pronouns and self-referentiality as masques or puppets.

Many poets and writers have influenced Robertson. She has mentioned Gertrude Stein, Djuna Barnes, Mina Loy, the French feminists, Marguerite Duras, Nicole Brossard, Erin Mouré, Gail Scott, Lyn Hejinian, Susan Howe, bpNichol, Steve McCaffery, and Charles Bernstein.

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    A work in progress quickly becomes feral. It reverts to a wild state overnight. It is barely domesticated, a mustang on which you one day fastened a halter, but which now you cannot catch. It is a lion you cage in your study. As the work grows, it gets harder to control; it is a lion growing in strength. You must visit it every day and reassert your mastery over it. If you skip a day, you are, quite rightly, afraid to open the door to its room.
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