Life
In 1979, she moved to British Columbia, where she remained for twenty-three years. During her time there, she was a member of The Kootenay School of Writing, which is a non-profit society that offers an alternative to the mainstream pedagogy of most Canadian universities.
She has been integrally involved in Vancouver's art scene and is an honorary board member of Artspeak Gallery. She has written on and reviewed exhibitions and pieces by Kelly Wood, Robert Garcet, Liz Magor, Allyson Clay, Kathy Slade, and Hadley+Maxwell, among others. She has also written on architecture and sites in British Columbia. Robertson contributed the "Beneath the Pavilions" column to Mix from 1997-1999.
She co-edited the poetry journal Raddle Moon with Susan Clark in Vancouver, and has worked as an arts journalist, a book seller, a copy editor, an astrologer, a guest lecturer, and an essayist. She has written on the work of Robin Blaser, Denise Riley, Dionne Brand, Peter Culley, Ted Berrigan, John Clare, Lorine Niedecker, Pauline Reage, Michele Bernstein and Albertine Sarrazin.
In 2006, she was a judge of the Griffin Poetry Prize and Holloway poet-in-residence at UC Berkeley. From 2007- 2010 she taught at California College of the Arts in San Francisco. In Fall 2010 she was writer-in-residence at Simon Fraser University in Vancouver.
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Famous quotes containing the word life:
“You must, to get through life well, practice industry with economy, never create a debt for anything that is not absolutely necessary, and if you make a promise to pay money at a day certain, be sure to comply with it. If you do not, you lay yourself liable to have your feelings injured and your reputation destroyed with the just imputation of violating your word.”
—Andrew Jackson (1767–1845)
“... the great mistake of the reformers is to believe that life begins and ends with health, and that happiness begins and ends with a full stomach and the power to enjoy physical pleasures, even of the finer kind.”
—Katharine Fullerton Gerould (1879–1944)
“The ancients adorned their sarcophagi with the emblems of life and procreation, and even with obscene symbols; in the religions of antiquity the sacred and the obscene often lay very close together. These men knew how to pay homage to death. For death is worthy of homage as the cradle of life, as the womb of palingenesis.”
—Thomas Mann (1875–1955)