Early Music Career
After graduating from high school in 1986, she went to Brown University, where she graduated in 1990 with a degree in comparative literature. At Brown, she and Elizabeth Mitchell formed a band named Liz and Lisa, with future singer/songwriter and classmate Duncan Sheik as a guitarist. The duo released the albums Liz and Lisa (1989) and Liz and Lisa - Days Were Different (1990) independently. After college, bassist Rick Lassiter and TV and drummer Chad Fisher joined the band. After developing a following together, Loeb and Mitchell parted ways a few years after college.
She attended Berklee School of Music in Boston for a session of summer school, and in 1990 formed a full band called Nine Stories. The band, which was named after the book by J.D. Salinger, included Tim Bright on guitar, Jonathan Feinberg on drums, and Joe Quigley on bass. Loeb began working with producer Juan Patiño to make the cassette Purple Tape in 1992. It included the earliest recordings of later popular tracks such as “Do You Sleep?,” “Snow Day,” “Train Songs,” and “It’s Over.” Loeb sold the violet-colored cassette to fans at gigs and used it as a sonic calling card to industry gatekeepers. Loeb and her band also made a recording of her song "Stay (I Missed You)" during the same time.
Loeb also developed a following from her solo acoustic performances on the New York City coffeehouse circuit and the rock club circuit. She travelled to cities such as Philadelphia, Los Angeles, Dallas, but focused mainly on New York City. She played acoustically and with her band in folk and rock clubs, including CBGBs. Loeb also performed at music festivals such as the New Music Seminar and South by Southwest.
Read more about this topic: Lisa Loeb
Famous quotes containing the words early, music and/or career:
“Today’s pressures on middle-class children to grow up fast begin in early childhood. Chief among them is the pressure for early intellectual attainment, deriving from a changed perception of precocity. Several decades ago precocity was looked upon with great suspicion. The child prodigy, it was thought, turned out to be a neurotic adult; thus the phrase “early ripe, early rot!””
—David Elkind (20th century)
“The sound of tireless voices is the price we pay for the right to hear the music of our own opinions. But there is also, it seems to me, a moment at which democracy must prove its capacity to act. Every man has a right to be heard; but no man has the right to strangle democracy with a single set of vocal chords.”
—Adlai Stevenson (1900–1965)
“The 19-year-old Diana ... decided to make her career that of wife. Today that can be a very, very iffy line of work.... And what sometimes happens to the women who pursue it is the best argument imaginable for teaching girls that they should always be able to take care of themselves.”
—Anna Quindlen (b. 1952)