Stage Career
Barrymore began his stage career in the mid 1890s, acting with his grandmother Louisa Lane Drew. He appeared on Broadway in his early twenties with his uncle John Drew Jr. in such plays as The Second in Command (1901) and The Mummy and the Hummingbird (1902), both produced by Charles Frohman. In 1905 Lionel and his siblings, John and Ethel, were all being groomed under the tutelage of Frohman. That year Lionel appeared with John in a short play called Pantaloon while John appeared with Ethel in Alice-Sit-By-The-Fire.
In 1910, after he and Doris had spent many years in Paris, Lionel came back to Broadway, where he established his reputation as a dramatic and character actor. He and his wife often acted together on stage. He proved his talent in many plays, including Peter Ibbetson (1917) (with brother John), The Copperhead (1918) (with Doris), and The Jest (1919) (again with John). Lionel gave a short-lived performance as MacBeth in 1921. The play was not successful and more than likely convinced Lionel to permanently return to films. One of Lionel's last plays was Laugh, Clown, Laugh (1923) with his second wife, Irene Fenwick. This play would later be made into a 1928 silent film starring Lionel's friend, Lon Chaney, Sr..
Read more about this topic: Lionel Barrymore
Famous quotes containing the words stage and/or career:
“Morality is a venereal disease. Its primary stage is called virtue; its secondary stage, boredom; its tertiary stage, syphilis.”
—Karl Kraus (18741936)
“I seemed intent on making it as difficult for myself as possible to pursue my male career goal. I not only procrastinated endlessly, submitting my medical school application at the very last minute, but continued to crave a conventional female role even as I moved ahead with my male pursuits.”
—Margaret S. Mahler (18971985)