Linguistic Determinism - Role in Literary Theory

Role in Literary Theory

Linguistic determinism is a partial assumption behind a number of recent developments in rhetoric and literary theory. For example, Jacques Derrida's project of deconstruction aims to break apart the terms of "paradigmatic" hierarchies. (In language structures, some terms exist only with antonyms, such as light/dark, and others exist only with subordination, such as father/son and mother/daughter. Derrida's targets are the latter.) If one breaks apart the hidden hierarchies in language terms, one can open up a "lacuna" in understanding, an "aporia," and free the mind of the reader/critic. Similarly, Michel Foucault's New Historicism posits that there is a quasi-linguistic structure present in any age, a metaphor around which all things that can be understood are organized. This "epistem" determines the questions that people can ask and the answers they can receive. The epistem changes historically: as material conditions change, so the mental tropes change, and vice versa. When ages move into new epistems, the science, religion, and art of the past age look absurd. Some neo-Marxist historians have similarly looked at culture as always encoded in a language that changes with the material conditions. As the dialectic struggle of economic forces clash and synthesize, so too do the language constructs.

Read more about this topic:  Linguistic Determinism

Famous quotes containing the words role, literary and/or theory:

    In today’s world parents find themselves at the mercy of a society which imposes pressures and priorities that allow neither time nor place for meaningful activities and relations between children and adults, which downgrade the role of parents and the functions of parenthood, and which prevent the parent from doing things he wants to do as a guide, friend, and companion to his children.
    Urie Bronfenbrenner (b. 1917)

    Much of the wisdom of the world is not wisdom, and the most illuminated class of men are no doubt superior to literary fame, and are not writers.
    Ralph Waldo Emerson (1803–1882)

    Freud was a hero. He descended to the “Underworld” and met there stark terrors. He carried with him his theory as a Medusa’s head which turned these terrors to stone.
    —R.D. (Ronald David)