Role in Literary Theory
Linguistic determinism is a partial assumption behind a number of recent developments in rhetoric and literary theory. For example, Jacques Derrida's project of deconstruction aims to break apart the terms of "paradigmatic" hierarchies. (In language structures, some terms exist only with antonyms, such as light/dark, and others exist only with subordination, such as father/son and mother/daughter. Derrida's targets are the latter.) If one breaks apart the hidden hierarchies in language terms, one can open up a "lacuna" in understanding, an "aporia," and free the mind of the reader/critic. Similarly, Michel Foucault's New Historicism posits that there is a quasi-linguistic structure present in any age, a metaphor around which all things that can be understood are organized. This "epistem" determines the questions that people can ask and the answers they can receive. The epistem changes historically: as material conditions change, so the mental tropes change, and vice versa. When ages move into new epistems, the science, religion, and art of the past age look absurd. Some neo-Marxist historians have similarly looked at culture as always encoded in a language that changes with the material conditions. As the dialectic struggle of economic forces clash and synthesize, so too do the language constructs.
Read more about this topic: Linguistic Determinism
Famous quotes containing the words role in, role, literary and/or theory:
“Friends serve central functions for children that parents do not, and they play a critical role in shaping children’s social skills and their sense of identity. . . . The difference between a child with close friendships and a child who wants to make friends but is unable to can be the difference between a child who is happy and a child who is distressed in one large area of life.”
—Zick Rubin (20th century)
“The role of the writer is not simply to arrange Being according to his own lights; he must also serve as a medium to Being and remain open to its often unfathomable dictates. This is the only way the work can transcend its creator and radiate its meaning further than the author himself can see or perceive.”
—Václav Havel (b. 1936)
“Poetry seems to have been eliminated as a literary genre, and installed instead, as a kind of spiritual aerobic exercise—nobody need read it, but anybody can do it.”
—Marilyn Hacker (b. 1942)
“The weakness of the man who, when his theory works out into a flagrant contradiction of the facts, concludes “So much the worse for the facts: let them be altered,” instead of “So much the worse for my theory.””
—George Bernard Shaw (1856–1950)