Lindsay Anderson - Theatre Productions

Theatre Productions

All Royal Court, London, unless otherwise indicated:

  • The Waiting of Lester Abbs (Kathleen Sully, 1957)
  • The Long and the Short and the Tall (Willis Hal,1959)
  • Progress to the Park (Alun Owen, 1959)
  • The Trial of Cob and Leach/Jazzetry (Christopher Logue, 1959)
  • Serjeant Musgrave's Dance (John Arden, 1959)
  • The Lily White Boys (Harry Cookson and Christopher Logue, 1960)
  • Trials by Logue: Antigone/Cob and Leach (Christopher Logue, 1960)
  • Diary of a Madman (Gogol adaptation, 1963)
  • Box and Cox (John Maddison Morton, 1961)
  • The Fire Raisers (Max Frisch, 1961)
  • Julius Caesar (William Shakespeare, 1964)
  • Andorra (Max Frisch, National Theatre at the Old Vic, 1964)
  • The Cherry Orchard (Anton Chekhov, Chichester Festival Theatre, 1966)
  • The Contractor (David Storey, 1969)
  • Home (David Storey, also Morosco Theatre NY, 1970)
  • The Changing Room (David Storey, 1971)
  • The Farm (David Storey, 1973)
  • Life Class (David Storey, 1974)
  • In Celebration (David Storey 1974)
  • What the Butler Saw (Joe Orton, 1975)
  • The Seagull (Anton Chekhov, Lyric Theatre, 1975); in repertory with
  • The Bed Before Yesterday (Ben Travers, Lyric Theatre, 1975)
  • The Kingfisher (William Douglas Home, Lyric Theatre 1977, Biltmore NY, 1978)
  • Alice's Boys (Felicity Brown and Jonathan Hayes, Savoy Theatre, 1978)
  • Early Days (David Storey, National Cottesloe Theatre, 1980)
  • The Holly and the Ivy (Wynyard Browne, Roundabout New York, 1982)
  • The Cherry Orchard (Anton Chekhov, Theatre Royal Haymarket, 1983)
  • The Playboy of the Western World (John Millington Synge, 1984)
  • In Celebration revival (David Storey, Manhattan Theatre Club, NY, 1984)
  • Holiday (Philip Barry, Old Vic, 1987)
  • The March on Russia (David Storey, National Lyttelton Theatre, 1989)
  • The Fishing Trip (Frank Grimes, Warehouse Theatre, 1991)
  • Stages (David Storey), National Cottesloe Theatre, 1992)

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Famous quotes containing the words theatre and/or productions:

    “I can get dressed earlier in the evening with every intention of going to a dance at midnight, but somehow after the theatre the thing to do seems to be either to go to bed or sit around somewhere. It doesn’t seem possible that somewhere people can be expecting you at an hour like that.”
    —Robert Benchley (1889–1945)

    “It is well known, that the best productions of the best human intellects, are generally regarded by those intellects as mere immature freshman exercises, wholly worthless in themselves, except as initiatives for entering the great University of God after death.”
    —Herman Melville (1819–1891)