Theatre Productions
All Royal Court, London, unless otherwise indicated:
- The Waiting of Lester Abbs (Kathleen Sully, 1957)
- The Long and the Short and the Tall (Willis Hal,1959)
- Progress to the Park (Alun Owen, 1959)
- The Trial of Cob and Leach/Jazzetry (Christopher Logue, 1959)
- Serjeant Musgrave's Dance (John Arden, 1959)
- The Lily White Boys (Harry Cookson and Christopher Logue, 1960)
- Trials by Logue: Antigone/Cob and Leach (Christopher Logue, 1960)
- Diary of a Madman (Gogol adaptation, 1963)
- Box and Cox (John Maddison Morton, 1961)
- The Fire Raisers (Max Frisch, 1961)
- Julius Caesar (William Shakespeare, 1964)
- Andorra (Max Frisch, National Theatre at the Old Vic, 1964)
- The Cherry Orchard (Anton Chekhov, Chichester Festival Theatre, 1966)
- The Contractor (David Storey, 1969)
- Home (David Storey, also Morosco Theatre NY, 1970)
- The Changing Room (David Storey, 1971)
- The Farm (David Storey, 1973)
- Life Class (David Storey, 1974)
- In Celebration (David Storey 1974)
- What the Butler Saw (Joe Orton, 1975)
- The Seagull (Anton Chekhov, Lyric Theatre, 1975); in repertory with
- The Bed Before Yesterday (Ben Travers, Lyric Theatre, 1975)
- The Kingfisher (William Douglas Home, Lyric Theatre 1977, Biltmore NY, 1978)
- Alice's Boys (Felicity Brown and Jonathan Hayes, Savoy Theatre, 1978)
- Early Days (David Storey, National Cottesloe Theatre, 1980)
- The Holly and the Ivy (Wynyard Browne, Roundabout New York, 1982)
- The Cherry Orchard (Anton Chekhov, Theatre Royal Haymarket, 1983)
- The Playboy of the Western World (John Millington Synge, 1984)
- In Celebration revival (David Storey, Manhattan Theatre Club, NY, 1984)
- Holiday (Philip Barry, Old Vic, 1987)
- The March on Russia (David Storey, National Lyttelton Theatre, 1989)
- The Fishing Trip (Frank Grimes, Warehouse Theatre, 1991)
- Stages (David Storey), National Cottesloe Theatre, 1992)
Read more about this topic: Lindsay Anderson
Famous quotes containing the words theatre and/or productions:
“For the theatre one needs long arms; it is better to have them too long than too short. An artiste with short arms can never, never make a fine gesture.”
—Sarah Bernhardt (18441923)
“Most new things are not good, and die an early death; but those which push themselves forward and by slow degrees force themselves on the attention of mankind are the unconscious productions of human wisdom, and must have honest consideration, and must not be made the subject of unreasoning prejudice.”
—Thomas Brackett Reed (18391902)