Formal and Stylistic Elements of The Manuscript
In The Illuminated Manuscript Backhouse states that, “The Lindisfarne Gospels is one of the first and greatest masterpieces of medieval European book painting” (Backhouse 1979, 10). The Lindisfarne Gospels is called Insular or Hiberno-Saxon art, a general term that refers to manuscripts produced in the British Isles between 500-900 AD (Backhouse 2004). As a part of Anglo-Saxon art the manuscript reveals a love of riddles and surprise, shown through the pattern and interlace in the meticulously designed pages. Many of the patterns used for the Lindisfarne Gospels date back beyond the Christian period (Backhouse 1981, 47). In the Gospels there is a strong presence of Celtic, Germanic, and Irish art styles. The spiral style and “knot work” evident in the formation of the designed pages are influenced by Celtic art (Backhouse 1981, 47). One of the most fascinating and characteristic styles in the manuscript is the zoomorphic style (adopted from Germanic art) and is revealed through the extensive use of interlaced animal and bird patterns throughout the book (Backhouse 1981, 47). The birds that appear in the manuscript may also have been from Eadfrith’s own observations of wildlife in Lindisfarne (Backhouse 2004). The geometric design motifs are also Germanic influence, and appear throughout the manuscript. The carpet pages (pages of pure decoration) exemplify Eadfrith’s use of geometrical ornamentation. Another notable aspect of the Gospels are tiny drops of red lead, which create backgrounds, outlines, and patterns, but never appear on the carpet pages (Backhouse 1981, 51). The red dots appear in early Irish manuscripts, revealing their influence in the design of the Lindisfarne Gospels (Backhouse 1981, 51). Thacker points out that Eadfrith had a great amount of knowledge and influence from other artistic styles, suggesting Eadfrith had “eclectic taste” (Thacker 2004). While there are many non-Christian artistic influences in the manuscript, the patterns were used to produce religious motifs and ideas.
Read more about this topic: Lindisfarne Gospels
Famous quotes containing the words formal, stylistic, elements and/or manuscript:
“This is no argument against teaching manners to the young. On the contrary, it is a fine old tradition that ought to be resurrected from its current mothballs and put to work...In fact, children are much more comfortable when they know the guide rules for handling the social amenities. Its no more fun for a child to be introduced to a strange adult and have no idea what to say or do than it is for a grownup to go to a formal dinner and have no idea what fork to use.”
—Leontine Young (20th century)
“Simile and Metaphor differ only in degree of stylistic refinement. The Simile, in which a comparison is made directly between two objects, belongs to an earlier stage of literary expression; it is the deliberate elaboration of a correspondence, often pursued for its own sake. But a Metaphor is the swift illumination of an equivalence. Two images, or an idea and an image, stand equal and opposite; clash together and respond significantly, surprising the reader with a sudden light.”
—Sir Herbert Read (18931968)
“Nature confounds her summer distinctions at this season. The heavens seem to be nearer the earth. The elements are less reserved and distinct. Water turns to ice, rain to snow. The day is but a Scandinavian night. The winter is an arctic summer.”
—Henry David Thoreau (18171862)
“It is not as easy to emigrate with steel mills as it is with the manuscript of a novel.”
—Golo Mann (b. 1909)