Linda Pastan - Works

Works

  • 1971 A Perfect Circle of Sun. Chicago: Swallow Press Inc.
  • 1975 Aspects of Eve. New York: Liveright.
  • 1978 Marks.
  • 1978 The Five Stages of Grief. New York: W. W. Norton & Co.
  • 1980 Setting the Table Dryad Press.
  • 1981 Waiting For My Life. New York: W. W. Norton & Co
  • 1982 PM / AM. New York: W. W. Norton & Co.
  • 1985 A Fraction of Darkness. New York: W. W. Norton & Co.
  • 1988 The Imperfect Paradise. New York: W. W. Norton & Co.
  • 1991 Heroes in Disguise. New York: W. W. Norton & Co.
  • 1995 An Early Afterlife. New York: W. W. Norton & Co.
  • 1998 Carnival Evening. New and Selected Poems: 1968 – 1998. New York: W. W. Norton & Co.
  • 2001 The Last Uncle. New York: W. W. Norton & Co.
  • 2006 Queen of a Rainy Country. Poems. W. W. Norton & Co.
  • 2011 Traveling Light. New York W. W. Norton & Co.

2011 A daughter leaving home.New York W. W. Norton & Co.

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Famous quotes containing the word works:

    “We ourselves are Jews by birth and not Gentile sinners; yet we know that a person is justified not by the works of the law but through faith in Jesus Christ. And we have come to believe in Christ Jesus, so that we might be justified by faith in Christ, and not by doing the works of the law, because no one will be justified by the works of the law.”
    —Bible: New Testament, Galatians 2:15-16.

    “The works of women are symbolical.
    We sew, sew, prick our fingers, dull our sight,
    Producing what? A pair of slippers, sir,
    To put on when you’re weary or a stool
    To stumble over and vex you ... “curse that stool!”
    Or else at best, a cushion, where you lean
    And sleep, and dream of something we are not,
    But would be for your sake. Alas, alas!
    This hurts most, this ... that, after all, we are paid
    The worth of our work, perhaps.”
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    “The slightest living thing answers a deeper need than all the works of man because it is transitory. It has an evanescence of life, or growth, or change: it passes, as we do, from one stage to the another, from darkness to darkness, into a distance where we, too, vanish out of sight. A work of art is static; and its value and its weakness lie in being so: but the tuft of grass and the clouds above it belong to our own travelling brotherhood.”
    —Freya Stark (b. 1893–1993)