Published Works
1929 - "A Marriage Message for Mary Frost & James Maybon from Lincoln Kirstein", Paris, (May 15, 1929), Boston privately published by Lincoln Kirsten.
1932 - "Flesh Is Heir: An Historical Romance", a novel, New York: Brewer, Warren & Putnam, .
1938 - "Sour Gripes", an essay.
1939 - "Ballet Alphabet"
1943 - "American Battle Painting: 1776-1918."
1947 - "The Drawings of Pavel Tchelitchew"and his last book, published in 1994, was "Tchelitchev," a full-scale study that used a variant spelling of the artist's name. He also wrote "Elie Nadelman" (1973), a book about the American sculptor.
1952 - "The Classic Ballet",
1959 - Monograph entitled: "What Ballet Is All About".
1965 - "Rhymes and More Rhymes of a Pfc.", a book of poems. The poet W.H. Auden praised this book as "the most convincing, moving and impressive" book he had read about WWII.
1967 - "Whitehouse Happening", a play about President Lincoln's assassination.
1967 - "The Dance Encyclopedia" by Anatole Chujoy, P.W. Manchester and Lincoln Kirsten (April 15, 1967)
1970 - "Dance: A Short History of Classic Theatrical Dancing", (August 24, 1970)
1970 - "Movement and Metaphor: Four Centuries of Ballet",
1973 - "Elie Nadelman",
1973 - "The New York City Ballet",
1975 - "Nijinsky Dancing, (November 17, 1975)
1978 - "Thirty Years: Lincoln Kirstein's The New York City Ballet: expanded to include the years 1973-1978, in celebration of the company's thirtieth anniversary"
1984 - "Paul Cadmus",
1984 - "Fifty Ballet Masterworks: From the 16th Century to the 20th Century", (August 1, 1984)
1987 - "Quarry: A Collection in Lieu of Memoirs", Pasadena, California: Twelvetrees Press
1987 - "The Poems of Lincoln Kirsten",
1989 - "Memorial to a Marriage", (October 1989)
1991 - "By With To and From Lincoln Kirstein",
1992 - "Puss in Boots" by Lincoln Kirstein and Alain Vaes (March 1992)
1994 - "Tchelitchev,
1994 - "Mosaic: Memoirs", New York: Farrar, Straus & Giroux (May 1, 1994)
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Famous quotes related to published works:
“Literature that is not the breath of contemporary society, that dares not transmit the pains and fears of that society, that does not warn in time against threatening moral and social dangers—such literature does not deserve the name of literature; it is only a façade. Such literature loses the confidence of its own people, and its published works are used as wastepaper instead of being read.”
—Alexander Solzhenitsyn (b. 1918)