Lin Carter - Career As Editor and Critic

Career As Editor and Critic

While his fiction was often derivative, Carter was influential as a critic of contemporary fantasy and a pioneering historian of the genre. His book reviews and surveys of the year's best fantasy fiction appeared regularly in Castle of Frankenstein, continuing after that magazine's 1975 demise in The Year's Best Fantasy Stories. His early studies of the works of J. R. R. Tolkien (Tolkien: A Look Behind "The Lord of the Rings") and H. P. Lovecraft (Lovecraft: A Look Behind the Cthulhu Mythos) were followed up by the wide-ranging Imaginary Worlds: the Art of Fantasy, a study tracing the emergence and development of modern fantasy from the late nineteenth century novels of William Morris through the 1970s. Peter Beagle faulted Carter's scholarship, saying "He gets so many facts embarrassingly wrong, so many attributions misquoted, that the entire commentary is essentially worthless."

His greatest influence in the field may have been as an editor for Ballantine Books from 1969–1974, when Carter brought several obscure yet important books of fantasy back into print under the "Adult Fantasy" line. Authors whose works he revived included Dunsany, Morris, Smith, James Branch Cabell, Hope Mirrlees, and Evangeline Walton. David G. Hartwell praised the series, saying it brought "into mass editions nearly all the adult fantasy stories and novels worth reading." He also helped new authors break into the field, such as Katherine Kurtz, Joy Chant, and Sanders Anne Laubenthal.

Carter was a fantasy anthologist of note, editing a number of new anthologies of classic and contemporary fantasy for Ballantine and other publishers. He also edited several anthology series, including the Flashing Swords! series from 1973–1981, the first six volumes of The Year's Best Fantasy Stories for DAW Books from 1975–1980, and an anthology format revival of the classic fantasy magazine Weird Tales from 1981-1983.

Together with SAGA he sponsored the Gandalf Award, an early fantasy equivalent to science fiction's Hugo Award, for the recognition of outstanding merit in authors and works of fantasy. It was given annually by the World Science Fiction Society from 1974 to 1981, but went into abeyance with the collapse of Carter's health in the 1980s. Its primary purpose continues to be fulfilled by the initially rival World Fantasy Awards, first presented in 1975.