Motion Pictures
Tomlin made her dramatic debut in Robert Altman's Nashville, for which she was nominated for an Academy Award for Best Supporting Actress; she played Linnea Reese, a straitlaced, gospel-singing mother of two deaf children who has an affair with a womanizing country singer (played by Keith Carradine). The Oscar that year went to Lee Grant for her role in Shampoo. A comedy-mystery, The Late Show, teaming Tomlin with Art Carney, was a critical success in 1977. One of the few widely panned projects of Tomlin's career, however, was 1978's Moment by Moment, directed and written by Wagner, which teamed Tomlin in a cross-generational older woman/younger man romance with John Travolta.
Tomlin soon had the greatest hit of her film career with 1980's Nine to Five in which she played a secretary named Violet Newstead who joins coworkers Jane Fonda and Dolly Parton in seeking revenge on their monstrous boss, Franklin M. Hart, Jr., played by Dabney Coleman. The film was a huge success and one of the year's top grossing films. Tomlin then starred in the 1981 science fiction comedy The Incredible Shrinking Woman, a send-up of consumerism, and was the sickly heiress in the comedy All of Me opposite Steve Martin.
Tomlin and Bette Midler played two pairs of identical twins who were switched at birth in the 1989 comedy Big Business. Tomlin also played chain-smoking waitress Doreen Piggott in Altman's 1993 ensemble film Short Cuts, and, in two films by director David O. Russell; she appeared as a peacenik Raku artist in Flirting with Disaster and later, as an existential detective in I ♥ Huckabees. In 2007, a video recording surfaced showing Tomlin and Russell in a heated exchange over the shooting of a scene in Huckabees.
She collaborated again with director Robert Altman in what would prove to be his last film, A Prairie Home Companion, playing Rhonda Johnson, one half of a middle-aged Midwestern singing duo with Meryl Streep.
Read more about this topic: Lily Tomlin
Famous quotes containing the words motion and/or pictures:
“Two children, all alone and no one by,
Holding their tattered frocks, thro’an airy maze
Of motion lightly threaded with nimble feet
Dance sedately; face to face they gaze,
Their eyes shining, grave with a perfect pleasure.”
—Laurence Binyon (1869–1943)
“A higher class, in the estimation and love of this city- building, market-going race of mankind, are the poets, who, from the intellectual kingdom, feed the thought and imagination with ideas and pictures which raise men out of the world of corn and money, and console them for the short-comings of the day, and the meanness of labor and traffic.”
—Ralph Waldo Emerson (1803–1882)