History and Mythology
Libra was known in Babylonian astronomy as MUL Zibanu ("the scales"), or alternatively as the Claws of the Scorpion. The scales were held sacred to the sun god Shamash, who was also the patron of truth and justice. It was also seen as the Scorpion's Claws in ancient Greece. Since these times, Libra has been associated with law, fairness and civility. In Arabic zubānā means "scorpion's claws", and likely similarly in other Semitic languages: this resemblance of words may be why the Scorpion's claws became the Scales. It has also been suggested that the scales are in allusion to the fact that when the sun entered this part of the ecliptic at the autumnal equinox, the days and nights are equal. Libra's status as the location of the equinox earned the equinox the name "First Point of Libra", though its position ended in 730 because of the precession of the equinoxes.
Libra is a constellation not mentioned by Eudoxus or Aratus. In Roman mythology, Libra is considered to depict the scales held by Astraea (identified as Virgo), the goddess of justice. Libra is mentioned by Manetho (3rd century B.C.) and Geminus (1st century B.C.), and included by Ptolemy in his 48 asterisms. Ptolemy catalogued 17 stars, Tycho Brahe 10, and Johannes Hevelius 20. It only became a constellation in ancient Rome, when it began to represent the scales held by Astraea, associated with Virgo.
Libra is the only zodiac sign that does not symbolize a living creature.
The family of candidate habitable planets was extended in late September 2010 to include exoplanets around red dwarf stars because of Gliese 581 g, which is a tidally locked planet in the middle of the habitable zone. Weather studies show that tidally locked planets may still have the ability to support life.
Read more about this topic: Libra (constellation)
Famous quotes containing the words history and/or mythology:
“I feel as tall as you.”
—Ellis Meredith, U.S. suffragist. As quoted in History of Woman Suffrage, vol. 4, ch. 14, by Susan B. Anthony and Ida Husted Harper (1902)
“Love, love, loveall the wretched cant of it, masking egotism, lust, masochism, fantasy under a mythology of sentimental postures, a welter of self-induced miseries and joys, blinding and masking the essential personalities in the frozen gestures of courtship, in the kissing and the dating and the desire, the compliments and the quarrels which vivify its barrenness.”
—Germaine Greer (b. 1939)