Production
The film went into production in mid-July 1936 and wrapped on September 1. Location shooting took place in Sonora, California. Lionel Barrymore was originally cast as Mr. Allenbury, while Rosalind Russell was originally considered to play Connie Allenbury.
Harlow and Powell were an off-screen couple, and Harlow wanted to play Connie Allenbury, so that her character and Powell's would wind up together. MGM insisted, however, that the film be another William Powell-Myrna Loy vehicle, as they originally intended. Harlow had already signed on to do the film but had to settle for the role of Gladys Benton. Nevertheless, as Gladys, top-billed Harlow got to play a wedding scene with Powell. During filming, Harlow changed her legal name from her birth name of Harlean Carpenter McGrew Bern Rosson to Jean Harlow. She would make only two more films before dying at the age of 26 in 1937.
It has been rumored that Loy and Tracy had an affair during the shooting of the film.
Read more about this topic: Libeled Lady
Famous quotes containing the word production:
“The problem of culture is seldom grasped correctly. The goal of a culture is not the greatest possible happiness of a people, nor is it the unhindered development of all their talents; instead, culture shows itself in the correct proportion of these developments. Its aim points beyond earthly happiness: the production of great works is the aim of culture.”
—Friedrich Nietzsche (1844–1900)
“The development of civilization and industry in general has always shown itself so active in the destruction of forests that everything that has been done for their conservation and production is completely insignificant in comparison.”
—Karl Marx (1818–1883)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)