Letterboxing (filming) - On Television

On Television

Digital broadcasting allows 1.78:1 (16:9) widescreen format transmissions without losing resolution, and thus widescreen is becoming the television norm. Most television programming in the United States, Britain and France is in standard-definition 16:9 and is transmitted in anamorphic format on digital platforms. When using a 4:3 television, it is possible to display such programming in either a letterbox format or in a 4:3 centre-cut format (where the edges of the picture are lost).

A letterboxed 14:9 compromise ratio is often broadcast in analogue transmissions in European countries making the transition from 4:3 to 16:9, for example on BBC One or ITV1 in the United Kingdom. In addition, recent years have seen an increase of "fake" 2.35:1 letterbox mattes on television to give the impression of a cinema film, often seen in adverts, trailers or television programmes such as Top Gear.

Current high-definition television (HDTV) systems use video displays with a wider aspect ratio than older television sets, making it easier to accurately display widescreen films. In addition to films produced for the cinema, some television programming is produced in high definition and therefore widescreen.

On a widescreen television set, a 1.78:1 image fills the screen, however, 2.39:1 aspect ratio films are letterboxed with narrow mattes. Because the 1.85:1 aspect ratio does not match the 1.78:1 (16:9) aspect ratio of widescreen DVDs and high-definition video, slight letterboxing occurs. Usually, such matting of 1.85:1 film is eliminated to match the 1.78:1 aspect ratio in the DVD and HD image transference.

Letterbox mattes are not necessarily black. IBM has used blue mattes for many of their TV ads, yellow mattes in their "I am Superman" Lotus ads, and green mattes in ads about efficiency & environmental sustainability. Others uses of colored mattes appear in ads from Allstate, Aleve, and Kodak among others, and in music videos such as Zebrahead's Playmate of the Year. In other instances mattes are animated, such as in the music video for Never Gonna Stop (The Red Red Kroovy), and even parodied such as the final scene of the Crazy Frog Axel F music video in which Crazy Frog peeks over the matte on the lower edge of the screen with part of his hands overlapping the matte. Similar to breaking the border of a comic's panel, it is a form of breaking the fourth wall.

The table below shows which TV lines will contain picture information when letterbox pictures are displayed on either 4:3 or 16:9 screens.

Aspect Ratio on 4:3 screen 525 Line System 625 Line System Aspect Ratio on 16:9 screen 525 Line System 625 Line System 1080 HD Line System
Full Screen (1.33:1) 21-263 284-525 23-310 336-623 - - - - - - -
14:9 (1.56:1) 40-245 302-508 44-289 357-602 - - - - - - -
16:9 (1.78:1) 52-232 315-495 59-282 372-587 Full Screen (1.78:1) 21-263 284-525 23-310 336-623 21-560 584-1123
1.85:1 56-229 320-491 64-270 376-582 1.85:1 26-257 289-520 29-304 342-617 31-549 594-1112
2.35:1 73-209 336-472 85-248 398-561 2.35:1 50-231 313-495 58-275 371-588 86-494 649-1057

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