In The Cinema and Home Video
In NTSC areas of the world, videocassettes often contained only pan-and-scan versions (notable VHS releases in letterboxed format include Manhattan, A Bug's Life, Last Tango in Paris, Ghostbusters II (which was released in the incorrect aspect ratio on its initial home video release), The Terminator, The Color Purple, Lady and the Tramp, Terminator 2: Judgment Day, and Basic Instinct: The Original Director's Cut), but DVD releases tend to be offered in both versions. In PAL areas, which do not suffer so much from low vertical resolution with letterboxed images, letterboxing was more common on videocassettes and is almost ubiquitous on DVDs, with very few films being offered in pan-and-scan releases today.
Movies such as The Graduate and Woodstock that made use of the full width of the movie screen often have the sides cut off and look completely different in non-letterboxed copies from the original theatrical release. This is more apparent in pan-and-scanned movies that remain entirely on the center area of the film image.
The term "SmileBox" is a registered trademark used to describe a type of letterboxing for Cinerama films, such as on the Blu-ray release of How the West Was Won. The image is produced with 3D mapping technology to approximate a curved screen.
Read more about this topic: Letterboxing (filming)
Famous quotes containing the words cinema, home and/or video:
“Strangers used to gather together at the cinema and sit together in the dark, like Ancient Greeks participating in the mysteries, dreaming the same dream in unison.”
—Angela Carter (1940–1992)
“A baby nurse is one that changes diapers and loves ‘em dearly. Get up at all hours of the night to give ‘em the bottle and change their pants. If the baby coughs or cries, you have to find out the need. I had my own room usually, but I slept in the same room with the baby. I would take full charge. It was twenty-four hours. I used to have one day a week off and I’d go home and see my own two little ones.”
—Ruth Lindstrom (c. 1892–?)
“It is among the ranks of school-age children, those six- to twelve-year-olds who once avidly filled their free moments with childhood play, that the greatest change is evident. In the place of traditional, sometimes ancient childhood games that were still popular a generation ago, in the place of fantasy and make- believe play . . . today’s children have substituted television viewing and, most recently, video games.”
—Marie Winn (20th century)