Decline
In 1964, Desert of the Heart by Jane Rule and Mrs. Stevens Hears the Mermaids Singing by May Sarton in 1965 were published by mainstream publishers in hardback, both enjoying a fairly successful run. Patience and Sarah (originally self-published by author Alma Routsong in 1969) is considered the first novel to initiate a feminist publishing run. In 1973, Naiad Press was founded by Barbara Grier which concentrated mainly on lesbian-themed books. The growth of the pornographic industry after a series of United States Supreme Court decisions disallowing the censorship of pornographic material, was evident in books that served to be more graphic in nature than focusing on the relationships of the women in the stories, which also led to the decline of lesbian pulp fiction. Authors March Hastings and Paula Christian both stated their publishers lost interest in their subject in the mid 1960s. As well, common plot points in the books involved women who were coming to terms with realizing their attraction to women in a world that did not allow it. With the rise of feminism, and the gay rights movement in 1969, these plot points were decreasingly relevant.
Read more about this topic: Lesbian Pulp Fiction
Famous quotes containing the word decline:
“Families suffered badly under industrialization, but they survived, and the lives of men, women, and children improved. Children, once marginal and exploited figures, have moved to a position of greater protection and respect,... The historic decline in the overall death rates for children is an astonishing social fact, notwithstanding the disgraceful infant mortality figures for the poor and minorities. Like the decline in death from childbirth for women, this is a stunning achievement.”
—Joseph Featherstone (20th century)
“But only that soul can be my friend which I encounter on the line of my own march, that soul to which I do not decline, and which does not decline me, but, native of the same celestial latitude, repeats in its own all my experience.”
—Ralph Waldo Emerson (1803–1882)
“We have our little theory on all human and divine things. Poetry, the workings of genius itself, which, in all times, with one or another meaning, has been called Inspiration, and held to be mysterious and inscrutable, is no longer without its scientific exposition. The building of the lofty rhyme is like any other masonry or bricklaying: we have theories of its rise, height, decline and fall—which latter, it would seem, is now near, among all people.”
—Thomas Carlyle (1795–1881)