Influence
Following five years after Meyebeer's own Robert le diable and a year after Fromental Halévy's La Juive, Les Huguenots consolidated the genre of Grand Opera, in which the Paris Opéra would specialise for the next generation, and which became a major box-office attraction for opera houses all over the world.
Hector Berlioz's contemporary account is full of praise: with 'Meyerbeer in command at the first desk from beginning to end I found superb in its beauty and refinement The richness of texture in the Pré-aux-Clercs scene was extraordinary, yet the ear could follow it with such ease that every strand in the composer's complex thought was continually apparent - a marvel of dramatic counterpoint'.
The immense success of the opera encouraged many musicians, including Franz Liszt and Sigismond Thalberg, to create virtuosic piano works based on its themes.
A military slow march based on the prelude to Les Huguenots is played every year during the ceremony of Trooping the Colour at Horse Guards Parade in London.
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“I have always found that when men have exhausted their own resources, they fall back on the intentions of the Creator. But their platitudes have ceased to have any influence with those women who believe they have the same facilities for communication with the Divine mind as men have.”
—Elizabeth Cady Stanton (18151902)
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“Concord River is remarkable for the gentleness of its current, which is scarcely perceptible, and some have referred to its influence the proverbial moderation of the inhabitants of Concord, as exhibited in the Revolution, and on later occasions.”
—Henry David Thoreau (18171862)