Influence
Following five years after Meyebeer's own Robert le diable and a year after Fromental Halévy's La Juive, Les Huguenots consolidated the genre of Grand Opera, in which the Paris Opéra would specialise for the next generation, and which became a major box-office attraction for opera houses all over the world.
Hector Berlioz's contemporary account is full of praise: with 'Meyerbeer in command at the first desk from beginning to end I found superb in its beauty and refinement The richness of texture in the Pré-aux-Clercs scene was extraordinary, yet the ear could follow it with such ease that every strand in the composer's complex thought was continually apparent - a marvel of dramatic counterpoint'.
The immense success of the opera encouraged many musicians, including Franz Liszt and Sigismond Thalberg, to create virtuosic piano works based on its themes.
A military slow march based on the prelude to Les Huguenots is played every year during the ceremony of Trooping the Colour at Horse Guards Parade in London.
Read more about this topic: Les Huguenots
Famous quotes containing the word influence:
“If the contemplation, even of inanimate beauty, is so delightful; if it ravishes the senses, even when the fair form is foreign to us: What must be the effects of moral beauty? And what influence must it have, when it embellishes our own mind, and is the result of our own reflection and industry?”
—David Hume (1711–1776)
“Poets are the hierophants of an unapprehended inspiration; the mirrors of the gigantic shadows which futurity casts upon the present; the words which express what they understand not; the trumpets which sing to battle and feel not what they inspire; the influence which is moved not, but moves. Poets are the unacknowledged legislators of the world.”
—Percy Bysshe Shelley (1792–1822)
“I think of consciousness as a bottomless lake, whose waters seem transparent, yet into which we can clearly see but a little way. But in this water there are countless objects at different depths; and certain influences will give certain kinds of those objects an upward influence which may be intense enough and continue long enough to bring them into the upper visible layer. After the impulse ceases they commence to sink downwards.”
—Charles Sanders Peirce (1839–1914)