Influence
Following five years after Meyebeer's own Robert le diable and a year after Fromental Halévy's La Juive, Les Huguenots consolidated the genre of Grand Opera, in which the Paris Opéra would specialise for the next generation, and which became a major box-office attraction for opera houses all over the world.
Hector Berlioz's contemporary account is full of praise: with 'Meyerbeer in command at the first desk from beginning to end I found superb in its beauty and refinement The richness of texture in the Pré-aux-Clercs scene was extraordinary, yet the ear could follow it with such ease that every strand in the composer's complex thought was continually apparent - a marvel of dramatic counterpoint'.
The immense success of the opera encouraged many musicians, including Franz Liszt and Sigismond Thalberg, to create virtuosic piano works based on its themes.
A military slow march based on the prelude to Les Huguenots is played every year during the ceremony of Trooping the Colour at Horse Guards Parade in London.
Read more about this topic: Les Huguenots
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—Elizabeth Cady Stanton (1815–1902)
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