Les Huguenots - Composition History

Composition History

Les Huguenots was some five years in creation. Meyerbeer prepared carefully for this opera after the sensational success of Robert le diable, recognising the need to continue to present lavish staging, a highly (melo)dramatic storyline, impressive orchestration and virtuoso parts for the soloists - the essential elements of the new genre of Grand Opera. Coming from a wealthy family, Meyerbeer could afford to take his time, dictate his own terms, and to be a perfectionist. The very detailed contract which Meyerbeer arranged with Louis-Désiré Véron, director of the Opéra, for Les Huguenots (and which was drawn up for him by the lawyer Adolphe Crémieux) is a testament to this. While Meyerbeer was writing the opera, another opera with a similar setting and theme (Le pré aux clercs by Ferdinand Hérold) was also produced in Paris (1832). Like Meyerbeer's, Hérold's work was extremely popular in its time, although it is now forgotten.

Read more about this topic:  Les Huguenots

Famous quotes containing the words composition and/or history:

    Pushkin’s composition is first of all and above all a phenomenon of style, and it is from this flowered rim that I have surveyed its seep of Arcadian country, the serpentine gleam of its imported brooks, the miniature blizzards imprisoned in round crystal, and the many-hued levels of literary parody blending in the melting distance.
    Vladimir Nabokov (1899–1977)

    I cannot be much pleased without an appearance of truth; at least of possibility—I wish the history to be natural though the sentiments are refined; and the characters to be probable, though their behaviour is excelling.
    Frances Burney (1752–1840)