Early Life and Family
DiCaprio, an only child, was born in Los Angeles, California. His mother, Irmelin (née Indenbirken), is a former legal secretary; born in Germany, she moved from Oer-Erkenschwick in the Ruhr, to the U.S. during the 1950s, with her parents. His father, George DiCaprio, is an underground comic artist and producer/distributor of comic books. A fourth-generation American, DiCaprio's father is of half Italian (from the Naples area) and half German descent (from Bavaria). DiCaprio's maternal grandmother, Helene Indenbirken (1915–2008), was born Yelena Smirnova in Russia. In a 2010 conversation with the Russian Prime Minister Vladimir Putin, DiCaprio said that two of his grandparents were Russian.
DiCaprio's parents met while attending college and subsequently moved to Los Angeles. He was named Leonardo because his pregnant mother was looking at a Leonardo da Vinci painting in a museum in Italy when DiCaprio first kicked. DiCaprio was raised Catholic.
His parents divorced when he was a year old and he lived mostly with his mother. The two lived in several Los Angeles neighborhoods, such as Echo Park, and at 1874 Hillhurst Avenue, Los Feliz district (which was later converted into a local public library), while his mother worked several jobs to support them. She remarried. He attended Seeds Elementary School and graduated from John Marshall High School a few blocks away, after attending the Los Angeles Center for Enriched Studies for four years.
Read more about this topic: Leonardo DiCaprio
Famous quotes containing the words early, life and/or family:
“No two men see the world exactly alike, and different temperaments will apply in different ways a principle that they both acknowledge. The same man will, indeed, often see and judge the same things differently on different occasions: early convictions must give way to more mature ones. Nevertheless, may not the opinions that a man holds and expresses withstand all trials, if he only remains true to himself and others?”
—Johann Wolfgang Von Goethe (1749–1832)
“In this lucid and flexible pattern only one thing remained always stationary, but this fallacy went unnoticed by Martha. The blind spot was the victim. The victim showed no signs of life before being deprived of it. If anything, the corpse which had to be moved and handled before burial seemed more active than its biological predecessor.”
—Vladimir Nabokov (1899–1977)
“With a new familiarity and a flesh-creeping “homeliness” entirely of this unreal, materialistic world, where all “sentiment” is coarsely manufactured and advertised in colossal sickly captions, disguised for the sweet tooth of a monstrous baby called “the Public,” the family as it is, broken up on all hands by the agency of feminist and economic propaganda, reconstitutes itself in the image of the state.”
—Percy Wyndham Lewis (1882–1957)