Reception and Cultural Impact
McCoy is someone to whom Kirk unburdens himself and is a foil to Spock. He is Kirk's "friend, personal bartender, confidant, counselor, and priest". Urban said McCoy has a "sense of irascibility with real passion for life and doing the right thing", and that "Spock's logic and McCoy's moral standing gave Kirk the benefit of having three brains instead of just one." Jennifer Porter and Darcee McLaren wrote that McCoy is an "unintentional" example of how "irrational prejudices and fixations, wishful thinking and emotional reasoning, denial and repression, and unresolved neurotic disturbances" compromise "scientific rationality" in Star Trek.
Kelley said that his greatest thrill at Star Trek conventions was the number of people who told him they entered the medical profession because of the McCoy character.
In regards to the 2009 film, The Guardian called Urban's performance of McCoy an "unqualified success", and The New York Times called the character "wild eyed and funny". Slate.com said Urban came closer than the other actors to impersonating a character's original depiction.
Read more about this topic: Leonard McCoy
Famous quotes containing the words reception, cultural and/or impact:
“But in the reception of metaphysical formula, all depends, as regards their actual and ulterior result, on the pre-existent qualities of that soil of human nature into which they fallthe company they find already present there, on their admission into the house of thought.”
—Walter Pater (18391894)
“If in the earlier part of the century, middle-class children suffered from overattentive mothers, from being mothers only accomplishment, todays children may suffer from an underestimation of their needs. Our idea of what a child needs in each case reflects what parents need. The childs needs are thus a cultural football in an economic and marital game.”
—Arlie Hochschild (20th century)
“One can describe a landscape in many different words and sentences, but one would not normally cut up a picture of a landscape and rearrange it in different patterns in order to describe it in different ways. Because a photograph is not composed of discrete units strung out in a linear row of meaningful pieces, we do not understand it by looking at one element after another in a set sequence. The photograph is understood in one act of seeing; it is perceived in a gestalt.”
—Joshua Meyrowitz, U.S. educator, media critic. The Blurring of Public and Private Behaviors, No Sense of Place: The Impact of Electronic Media on Social Behavior, Oxford University Press (1985)