History
The classical astronomers Aratus and Ptolemy had noted the region of what is now Leo Minor to be undefined and not containing any distinctive pattern; Ptolemy classified the stars in this area as amorphōtoi (not belonging to a constellation outline) within the constellation Leo. Johannes Hevelius first depicted Leo Minor in 1687 when he outlined ten new constellations in his star atlas Firmamentum Sobiescianum, and included 18 of its objects in the accompanying Catalogus Stellarum Fixarum. Hevelius decided upon Leo Minor or Leo Junior as a depiction that would align with its beastly neighbours the Lion and the Great Bear. In 1845, English astronomer Francis Baily revised the catalogue of Hevelius' new constellations, and assigned a Greek letter known as Bayer designation to stars brighter than apparent magnitude 4.5. Richard A. Proctor gave the constellation the name Leaena "the Lioness" in 1870, explaining that he sought to shorten the constellation names to make them more manageable on celestial charts.
German astronomer Christian Ludwig Ideler posited that the stars of Leo Minor had been termed Al Thibā' wa-Aulāduhā "Gazelle with her Young" on a 13th century Arabic celestial globe, recovered by Cardinal Stefano Borgia and housed in the prelate's museum at Velletri. Arabist Friedrich Wilhelm Lach describes a different view, noting that they had been seen as Al Haud "the Pond", which the Gazelle jumps into. In Chinese astronomy, the stars Beta, 30, 37 and 46 Leonis Minoris made up Neiping, a "Court of Judge or Mediator", or Shi "Court Eunuch" or were combined with stars of the neighbouring Leo to make up a large celestial dragon or State Chariot. A line of four stars was known as Shaowei, it represented four Imperial advisors and may have been located in Leo Minor, Leo or adjacent regions.
Read more about this topic: Leo Minor
Famous quotes containing the word history:
“The history of the Victorian Age will never be written: we know too much about it.”
—Lytton Strachey (1880–1932)
“Every generation rewrites the past. In easy times history is more or less of an ornamental art, but in times of danger we are driven to the written record by a pressing need to find answers to the riddles of today.... In times of change and danger when there is a quicksand of fear under men’s reasoning, a sense of continuity with generations gone before can stretch like a lifeline across the scary present and get us past that idiot delusion of the exceptional Now that blocks good thinking.”
—John Dos Passos (1896–1970)
“History is the present. That’s why every generation writes it anew. But what most people think of as history is its end product, myth.”
—E.L. (Edgar Lawrence)