Film
McKern's film debut came in 1952's Murder in the Cathedral. His other notable film appearances included the science fiction classic The Day the Earth Caught Fire (1961), the Beatles' film Help! (1965), the Academy Award-winning adaptation of A Man for All Seasons (1966), The Shoes of the Fisherman (1968), Ryan's Daughter (1970), Massacre in Rome (1973), The Adventure of Sherlock Holmes' Smarter Brother (1975),The Omen (1976), The Blue Lagoon (1980), and The French Lieutenant's Woman (1981). He was given the Australian Film Institute Award for Best Actor in a Leading Role for Travelling North (1987). In Monsignor Quixote (1989), he co-starred as Sancho Zancas with Alec Guinness as Father Quixote.
McKern's final acting appearances came in the film Molokai: The Story of Father Damien (1999) and on stage in 2000.
Read more about this topic: Leo McKern
Famous quotes containing the word film:
“I think of horror films as art, as films of confrontation. Films that make you confront aspects of your own life that are difficult to face. Just because youre making a horror film doesnt mean you cant make an artful film.”
—David Cronenberg (b. 1943)
“Film is more than the twentieth-century art. Its another part of the twentieth-century mind. Its the world seen from inside. Weve come to a certain point in the history of film. If a thing can be filmed, the film is implied in the thing itself. This is where we are. The twentieth century is on film.... You have to ask yourself if theres anything about us more important than the fact that were constantly on film, constantly watching ourselves.”
—Don Delillo (b. 1926)
“The obvious parallels between Star Wars and The Wizard of Oz have frequently been noted: in both there is the orphan hero who is raised on a farm by an aunt and uncle and yearns to escape to adventure. Obi-wan Kenobi resembles the Wizard; the loyal, plucky little robot R2D2 is Toto; C3PO is the Tin Man; and Chewbacca is the Cowardly Lion. Darth Vader replaces the Wicked Witch: this is a patriarchy rather than a matriarchy.”
—Andrew Gordon, U.S. educator, critic. The Inescapable Family in American Science Fiction and Fantasy Films, Journal of Popular Film and Television (Summer 1992)