In Popular Culture
- She was the subject of an artwork "The Icon", Using 14 colors, and 3500 lipsticks, artist Amer Shomali created Leila Khaled portrait, made entirely out of Lipsticks.
- The song Like Leila Khaled Said from The Teardrop Explodes' 1981 album Wilder is a love song to Khaled. Songwriter Julian Cope said it was a love song to her "cos I thought she was so beautiful. But I know that the whole thing was like bad news."
- The second CD of Julian Cope's 2012 album Psychedelic Revolution is named 'Phase of Leila Khaled'. The first CD is named 'Phase of Che Guevara'. The album lyrics contain several references to political demonstrations, terrorism and suicide bombers. The accompanying booklet also contains a photo of Leila Khaled. http://www.headheritage.co.uk/merchandiser/item/HH25/
- The 10th song named "Leila Khaled" by the Danish Rock band Magtens Korridorer in their 11-track album Friværdi released on 26 September 2005.
- It is claimed that the character of savage warrior Leela from Doctor Who was named after Leila Khaled.
- Mentioned by Fun-da-mental in "Mother India" widely distributed in the United States by Starbucks coffee in the"Love India" CD (2010)
Read more about this topic: Leila Khaled
Famous quotes containing the words popular culture, popular and/or culture:
“The lowest form of popular culture—lack of information, misinformation, disinformation, and a contempt for the truth or the reality of most people’s lives—has overrun real journalism. Today, ordinary Americans are being stuffed with garbage.”
—Carl Bernstein (b. 1944)
“That popular fable of the sot who was picked up dead-drunk in the street, carried to the duke’s house, washed and dressed and laid in the duke’s bed, and, on his waking, treated with all obsequious ceremony like the duke, and assured that he had been insane, owes its popularity to the fact that it symbolizes so well the state of man, who is in the world a sort of sot, but now and then wakes up, exercises his reason and finds himself a true prince.”
—Ralph Waldo Emerson (1803–1882)
“A culture may be conceived as a network of beliefs and purposes in which any string in the net pulls and is pulled by the others, thus perpetually changing the configuration of the whole. If the cultural element called morals takes on a new shape, we must ask what other strings have pulled it out of line. It cannot be one solitary string, nor even the strings nearby, for the network is three-dimensional at least.”
—Jacques Barzun (b. 1907)