Broadway Credits
Note: All works are plays and the original productions unless otherwise noted.
- Four Walls (1927) – Actor
- The Vegetable (1929) – Director
- Red Rust (1929) – Actor
- Green Grow the Lilacs (1931) – Actor
- The House of Connelly (1931) – Co-Director
- 1931 (1931) – Director
- Success Story (1932) – Director
- Men in White (1933) – Director
- Gentlewoman (1934) – Director
- Gold Eagle Guy (1934) – Director
- Paradise Lost (1935) – Produced by Group Theatre
- Case of Clyde Griffiths (1936) – Director, Produced by Group Theatre
- Johnny Johnson (1936) – Director, Produced by Group Theatre
- Many Mansions (1937) – Director
- Golden Boy (1937) – Produced by Group Theatre
- Roosty (1938) – Director
- Casey Jones (1938) – Produced by Group Theatre
- All the Living (1938) – Director
- Dance Night (1938) – Director
- Rocket to the Moon (1938) – Produced by Group Theatre
- The Gentle People (1939) – Produced by Group Theatre
- Awake and Sing! (1939), revival – Produced by Group Theatre
- Summer Night (1939) – Director
- Night Music (1940) – Produced by Group Theatre
- The Fifth Column (1940) – Director
- Clash by Night (1941) – Director
- A Kiss for Cinderella (1942), revival – Director
- R.U.R. (Rossum's Universal Robots) (1942), revival – Director
- Apology (1943) – Producer and Director
- South Pacific (1943, apparently no relation to the Broadway musical South Pacific) – Director
- Skipper Next to God (1948) – Director
- The Big Knife (1949) – Director
- The Closing Door (1949) – Director
- The Country Girl (1950) – Co-Producer
- Peer Gynt (1951), (revival) – Director
- Strange Interlude (1963), (revival) – Produced by The Actors Studio – Tony Award Co-nomination for Best Producer of a Play
- Marathon '33 (1963) – Production supervisor
- The Three Sisters (1964), (revival) – Director, Produced by The Actors Studio
Read more about this topic: Lee Strasberg
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“We all know that the theater and every play that comes to Broadway have within themselves, like the human being, the seed of self-destruction and the certainty of death. The thing is to see how long the theater, the play, and the human being can last in spite of themselves.”
—James Thurber (18941961)
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