Lee Strasberg - Broadway Credits

Broadway Credits

Note: All works are plays and the original productions unless otherwise noted.

  • Four Walls (1927) – Actor
  • The Vegetable (1929) – Director
  • Red Rust (1929) – Actor
  • Green Grow the Lilacs (1931) – Actor
  • The House of Connelly (1931) – Co-Director
  • 1931 (1931) – Director
  • Success Story (1932) – Director
  • Men in White (1933) – Director
  • Gentlewoman (1934) – Director
  • Gold Eagle Guy (1934) – Director
  • Paradise Lost (1935) – Produced by Group Theatre
  • Case of Clyde Griffiths (1936) – Director, Produced by Group Theatre
  • Johnny Johnson (1936) – Director, Produced by Group Theatre
  • Many Mansions (1937) – Director
  • Golden Boy (1937) – Produced by Group Theatre
  • Roosty (1938) – Director
  • Casey Jones (1938) – Produced by Group Theatre
  • All the Living (1938) – Director
  • Dance Night (1938) – Director
  • Rocket to the Moon (1938) – Produced by Group Theatre
  • The Gentle People (1939) – Produced by Group Theatre
  • Awake and Sing! (1939), revival – Produced by Group Theatre
  • Summer Night (1939) – Director
  • Night Music (1940) – Produced by Group Theatre
  • The Fifth Column (1940) – Director
  • Clash by Night (1941) – Director
  • A Kiss for Cinderella (1942), revival – Director
  • R.U.R. (Rossum's Universal Robots) (1942), revival – Director
  • Apology (1943) – Producer and Director
  • South Pacific (1943, apparently no relation to the Broadway musical South Pacific) – Director
  • Skipper Next to God (1948) – Director
  • The Big Knife (1949) – Director
  • The Closing Door (1949) – Director
  • The Country Girl (1950) – Co-Producer
  • Peer Gynt (1951), (revival) – Director
  • Strange Interlude (1963), (revival) – Produced by The Actors Studio – Tony Award Co-nomination for Best Producer of a Play
  • Marathon '33 (1963) – Production supervisor
  • The Three Sisters (1964), (revival) – Director, Produced by The Actors Studio

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    We all know that the theater and every play that comes to Broadway have within themselves, like the human being, the seed of self-destruction and the certainty of death. The thing is to see how long the theater, the play, and the human being can last in spite of themselves.
    James Thurber (1894–1961)