Works
Krasner would often cut apart her own drawings and paintings to create collages and, at times, revised or discarded an entire series. As a result, her surviving body of work is relatively small. Her catalogue raisonné, published in 1995 by Abrams, lists only 599 known pieces. She was rigorously self-critical, and her critical eye is believed to have been important to Pollock's work.
Krasner struggled with the public's reception of her identity, both as a woman and as the wife of Pollock. Therefore she often signed her works with the genderless initials "L.K." instead of her more recognizable full name.
Krasner and Pollock gave each other reassurance and support during a period when neither's work was well-appreciated. Like Picasso during the brief period of his interaction with Braque, the daily give-and-take of Pollock and Krasner stimulated both artists. Pollock and Krasner fought a battle for legitimacy, impulsiveness and individual expression. They opposed an old-fashioned, conformist, and repressed culture unreceptive to these values, which was put off by the intricacy of Modernism in general.
Read more about this topic: Lee Krasner
Famous quotes containing the word works:
“I divide all literary works into two categories: Those I like and those I don’t like. No other criterion exists for me.”
—Anton Pavlovich Chekhov (1860–1904)
“The works of women are symbolical.
We sew, sew, prick our fingers, dull our sight,
Producing what? A pair of slippers, sir,
To put on when you’re weary or a stool
To stumble over and vex you ... “curse that stool!”
Or else at best, a cushion, where you lean
And sleep, and dream of something we are not,
But would be for your sake. Alas, alas!
This hurts most, this ... that, after all, we are paid
The worth of our work, perhaps.”
—Elizabeth Barrett Browning (1806–1861)
“In all Works of This, and of the Dramatic Kind, STORY, or AMUSEMENT, should be considered as little more than the Vehicle to the more necessary INSTRUCTION.”
—Samuel Richardson (1689–1761)