In Poetry
Ronsard wrote a poem on La Défloration de Lède, perhaps inspired by the Michelangelo, which he may well have known. Like many artists, he imagines the beak penetrating Leda's vagina.
"Leda and the Swan" is a sonnet by William Butler Yeats first published in the Dial in 1924. Combining psychological realism with a mystic vision, it describes the swan's rape of Leda. It also suggests that this event leads to the murder of Agamemnon by Clytemnestra (the latter being the daughter of Leda) . The poem is regularly praised as one of Yeats's masterpieces. Camille Paglia, who called the poem "the greatest poem of the twentieth century," and said "all human beings, like Leda, are caught up moment by moment in the 'white rush' of experience. For Yeats, the only salvation is the shapeliness and stillness of art."
Nicaraguan poet Rubén Darío's 1892 poem "Leda" contains an oblique description of the rape, watched over by the god Pan.
H.D. (Hilda Doolittle) also wrote a poem called "Leda" in 1919, suggested to be from the perspective of Leda. The description of the sexual action going on makes it seem almost beautiful, as if Leda had given her consent.
In the song "Power and Glory" from Lou Reed's 1992 album Magic and Loss, Reed recalls the experience of seeing his friend dying of cancer and makes reference to the myth, "I saw isotopes introduced into his lungs / trying to stop the cancerous spread / And it made me think of Leda and The Swan / and gold being made from lead"
Read more about this topic: Leda And The Swan
Famous quotes containing the word poetry:
“The wisest definition of poetry the poet will instantly prove false by setting aside its requisitions.”
—Henry David Thoreau (1817–1862)
“Whatever is felt upon the page without being specifically named there—that, one might say, is created. It is the inexplicable presence of the thing not named, of the overtone divined by the ear but not heard by it, the verbal mood, the emotional aura of the fact or the thing or the deed, that gives high quality to the novel or the drama, as well as to poetry itself.”
—Willa Cather (1873–1947)