Creating Lead Guitar Lines
To create lead guitar lines, guitarists use scales, modes, arpeggios, licks, and riffs that are performed using a variety of techniques. In rock, heavy metal, blues, jazz and fusion bands and some pop contexts as well as others, lead guitar lines often employ alternate picking, sweep picking, economy picking and legato (e.g., hammer ons, pull offs), which are used to maximize the speed of their solos or riffs. Such "tricks" can employ the picking hand used in the fret area (such as tapping), and even be augmented and embellished with devices such as bows, or separate electronic devices such as an EBow (electronic bow).
Some even like to play with their teeth or feet or other bodily appendages or the like, this is normally used as a performance technique in order to impress spectators. In a blues context, as well as others, lead guitar lines are created using call and response-style riffs that are embellished with string bending, vibrato, and slides.
Read more about this topic: Lead Guitar
Famous quotes containing the words creating, lead, guitar and/or lines:
“The peace loving nations must make a concerted effort in opposition to those violations of treaties and those ignorings of humane instincts which today are creating a state of international anarchy and instability from which there is no escape through mere isolation or neutrality.... When an epidemic of physical disease starts to spread, the community approves and joins in a quarantine of the patients in order to protect the health of the community against the spread of the disease.”
—Franklin D. Roosevelt (1882–1945)
“Economic growth may one day turn out to be a curse rather than a good, and under no conditions can it either lead into freedom or constitute a proof for its existence.”
—Hannah Arendt (1906–1975)
“Swiftly in the nights,
In the porches of Key West,
Behind the bougainvilleas
After the guitar is asleep,
Lasciviously as the wind,
You come tormenting.”
—Wallace Stevens (1879–1955)
“We stand in the tumult of a festival.
What festival? This loud, disordered mooch?
These hospitaliers? These brute-like guests?
These musicians dubbing at a tragedy,
A-dub, a-dub, which is made up of this:
That there are no lines to speak? There is no play.”
—Wallace Stevens (1879–1955)