Social Partner Dance Principles
For the Leader and Follower to interact with each other, communication needs to occur between the dance couple. Because it's not practical to discuss moves, physical contact is the most effective means. More advanced dancers will take many cues from each other through this connection, with the Follower using it to communicate feedback to the Leader just as the Leader uses it to suggest moves to their partner. The most accomplished dancers use connection as a line of communication which allows the leader to incorporate the follower's ideas, abilities, and creative suggestions into their own styling and selection of moves.
In many partner dances, the lead's steps differ from the follower's. In face-to-face positions, the follower generally "mirrors" the lead's footwork. For example, if the lead begins on their left foot, the follow will begin on their right foot. In choreographed pieces and other situations where the follow is in a tandem position or shadow position, the lead and follow will use the same footwork. Usually both partners move together as a unit, but in some dances the partners move in opposite directions - together and apart again.
In partner dancing, dancers seek to work together to create synchronised or complementary movements. The lead is largely responsible for initiating movement, whereas the follow's role is to maintain this movement (though they may choose not to). Many dancers describe this process as involving the initiation of momentum or 'energy' (by the lead) and then the subsequent maintenance, exaggeration, decreasing or dissolving of this momentum by both partners. This momentum or energy may be manifested as movement (in its most obvious form), or in a range of more complex interactions between partners:
- Compression (where each partner 'compress' the energy by bending joints and moving towards or 'into' their partner, to varying degrees);
- Leverage (where one partner - usually the lead - exploits the development of compression or connection to shift their follow's weight or to 'ground' (develop 'compression' downwards, with the contact their feet make with the floor) themselves more thoroughly before initiating movement);
- Tension (is the opposite of compression - partners moving away from each other but still in contact)
Read more about this topic: Lead And Follow
Famous quotes containing the words social, partner, dance and/or principles:
“Todays city is the most vulnerable social structure ever conceived by man.”
—Martin Oppenheimer (b. 1930)
“When a mans partners killed, hes supposed to do something about it. It doesnt make any difference what you thought of him, he was your partner and youre supposed to do something about it. As it happens, were in the detective business; well, when one of your organization gets killed, its, its bad business to let the killer get away with it. Bad all around. Bad for every detective everywhere.”
—John Huston (19061987)
“The gentlemen [at a ball], as they passed and repassed, looked as if they thought we were quite at their disposal, and only waiting for the honour of their commands; and they sauntered about, in a careless indolent manner, as if with a view to keep us in suspense.... I thought it so provoking, that I determined in my own mind that, far from humouring such airs, I would rather not dance at all.”
—Frances Burney (17521840)
“I cannot consent that my mortal body shall be laid in a repository prepared for an Emperor or a Kingmy republican feelings and principles forbid itthe simplicity of our system of government forbids it.”
—Andrew Jackson (17671845)