Columbia University & The Sorbonne
After the war, he worked briefly in the mailroom at Time magazine, in Manhattan. The G.I. Bill then enabled him to enroll in the Columbia University graduate school. Among his professors there were Babette Deutsch, Lionel Trilling, Jacques Barzun, and Mark Van Doren. In those years he was reading modern literature, and has said he was at that time influenced particularly by Shakespeare, Marlowe, the Romantic poets, Gerard Manley Hopkins, and James Joyce, as well as American poets Whitman, T. S. Eliot, Ezra Pound, Carl Sandburg, Vachel Lindsay, Marianne Moore, E. E. Cummings, and American novelists Thomas Wolfe, Ernest Hemingway, and John Dos Passos. He earned a master’s degree in English literature in 1947 with a thesis on John Ruskin and the British painter J. M. W. Turner. From Columbia, he went to Paris to continue his studies, and lived in the city between 1947 and 1951, earning a Doctorat de l’Université de Paris, with a “mention très honorable.” His two theses were on the city as a symbol in modern poetry and on the nature of Gothic.
Read more about this topic: Lawrence Ferlinghetti
Famous quotes containing the words columbia university, columbia and/or university:
“The young women, what can they not learn, what can they not achieve, with Columbia University annex thrown open to them? In this great outlook for women’s broader intellectual development I see the great sunburst of the future.”
—M. E. W. Sherwood (1826–1903)
“Although there is no universal agreement as to a definition of life, its biological manifestations are generally considered to be organization, metabolism, growth, irritability, adaptation, and reproduction.”
—The Columbia Encyclopedia, Fifth Edition, the first sentence of the article on “life” (based on wording in the First Edition, 1935)
“One can describe a landscape in many different words and sentences, but one would not normally cut up a picture of a landscape and rearrange it in different patterns in order to describe it in different ways. Because a photograph is not composed of discrete units strung out in a linear row of meaningful pieces, we do not understand it by looking at one element after another in a set sequence. The photograph is understood in one act of seeing; it is perceived in a gestalt.”
—Joshua Meyrowitz, U.S. educator, media critic. “The Blurring of Public and Private Behaviors,” No Sense of Place: The Impact of Electronic Media on Social Behavior, Oxford University Press (1985)