Motion Pictures
Taylor planned to make her film debut in Peg o' My Heart, but the film version of the hit play was coveted by nearly every screen actress, including Mary Pickford, who made an offer considerably in excess of the highest amount ever paid for the picture rights to a play or a story. The rights to the film were coveted because of the production's established popularity. Almost any actress in the famous role would be assured of a resounding success, however Taylor doggedly clung to the movie rights for her own use, should she ever commit to appearing in a film. It took years for the play to be filmed and released. King Vidor remembered in his autobiography, A Tree Is A Tree:
"I soon landed a job at the old Metro studio on Romaine Street – the assignment: to direct Laurette Taylor in Peg O' My Heart. Although I had never seen Miss Taylor, her name carried with it a certain magic to my young ears."
The play was considerably expanded for the film version, and the final production was an immediate success with audiences. Taylor went on to make another adaptation of one of her stage successes, Happiness, and then a third and final film for MGM, One Night in Rome. She never appeared in another film, although David O. Selznick did invite her to film a sound test for a role in his 1938 film The Young in Heart, which Taylor did, but she declined the part and actress Minnie Dupree was cast. (The sound film test exists and has been shown on TV from time to time).
Read more about this topic: Laurette Taylor
Famous quotes containing the words motion and/or pictures:
“subways, rivered under streets
and rivers . . . in the car
the overtone of motion
underground, the monotone
of motion is the sound
of other faces, also underground—”
—Hart Crane (1899–1932)
“A higher class, in the estimation and love of this city- building, market-going race of mankind, are the poets, who, from the intellectual kingdom, feed the thought and imagination with ideas and pictures which raise men out of the world of corn and money, and console them for the short-comings of the day, and the meanness of labor and traffic.”
—Ralph Waldo Emerson (1803–1882)