Laurence Stallings - Works

Works

Books

• Plumes, 1925.
• Three American Plays, by Stallings and Maxwell Anderson (includes What Price Glory, First Flight, and The Buccaneer.), 1926
• The First World War--A Photographic History, (edited by Stallings), 1933
• The Doughboys, 1963

Periodicals

• "Celluloid Psychology," New Republic, 33 (7 February 1923): 282-284.
• "The Whole Art of a Wooden Leg," Smart Set, 70 (March 1923): 107-111.
• "The Big Parade," New Republic, 40 (17 September 1924): 66-69.
• "How a 'Great' Play Is Written," Current Opinion, 77 (November 1924): 617-618.
• "Esprit de Corps," Scribner's, 84 (August 1928): 212-215.
• "Turn Out the Guard," Saturday Evening Post, 201 (13 October 1928): 16-17, 96, 99-100.
• "Gentleman in Blue," Saturday Evening Post, 204 (20 February 1932): 8-9, 95.
• "Return to the Woods," Collier's, 89 (5 March 1932): 30-31, 52.
• "Lt. Richard Plume Comes Home from the War," Scholastic, 25 (10 November 1934): 4-6.
• "Bush Brigades and Blackamoors," American Mercury, 37 (April 1936): 411-419.
• "The War to End War," American Heritage, 10 (October 1959): 4-17, 84-85.
• "Bloody Belleau Wood," American Heritage, 14 (June 1963): 65-77.

Theatre Productions

• What Price Glory, by Stallings and Maxwell Anderson, New York, Plymouth Theatre, 5 September 1924.
• First Flight, by Stallings and Anderson, New York, Plymouth Theatre, 17 September 1925.
• The Buccaneer, by Stallings and Anderson, New York, Plymouth Theatre, 2 October 1925.
• Deep River, New York, Imperial Theatre, 4 October 1926.
• Rainbow, by Stallings and Oscar Hammerstein II, New York, Gallo Theatre, 21 November 1928.
• A Farewell to Arms, New York, National Theatre, 22 September 1930.
• Eldorado, by Stallings and George S. Kaufman, New Haven, 19 October 1931.
• Virginia, by Stallings and Owen Davis, New York, Center Theatre, 2 September 1937.
• The Streets Are Guarded, New York, Miller's Theatre, 20 November 1944.

Screenplays

• The Big Parade (M-G-M, 1925), story.
• Old Ironsides (Paramount Famous Lasky, 1926), story.
• Show People (M-G-M, 1928), treatment by Stallings and Agnes Christine Johnston.
• Billy the Kid (M-G-M, 1930), dialogue.
• Way for a Sailor (M-G-M, 1930), scenario and dialogue by Stallings and W. L. Rivers.
• After Office Hours (M-G-M, 1935), story by Stallings and Dale Van Eveky.
• So Red the Rose (Paramount, 1935), screenplay by Stallings, Edwin Justus Mayer, and Maxwell Anderson.
• Too Hot to Handle (M-G-M, 1938), screenplay by Stallings, John Lee Mahin, and Len Hammond.
• Stand Up and Fight (M-G-M, 1939), additional dialogue.
• The Man from Dakota (M-G-M, 1940), screenplay.
• Northwest Passage (M-G-M, 1940), screenplay by Stallings and Talbot Jennings.
• The Jungle Book (United Artists, 1942), screenplay.
• Salome, Where She Danced (Universal, 1945), screenplay.
• Christmas Eve (United Artists, 1947), story by Stallings, Arch Oboler, and Richard H. Landau; screenplay; retitled Sinners' Holiday.
• A Miracle Can Happen (United Artists, 1948), screenplay by Stallings and Lou Breslow; retitled On Our Merry Way.
• 3 Godfathers (M-G-M, 1949), screenplay by Stallings and Frank Nugent.
• She Wore a Yellow Ribbon (RKO, 1949), screenplay by Stallings and Nugent.
• The Sun Shines Bright (Republic, 1954), screenplay.