Judging
The Awards are judged by four separate panels for theatre, opera, dance, and Affiliate.
The majority of the Olivier Awards are presented in the theatre categories, which cover plays and musicals. The theatre categories are judged by the theatre panel, which has five anonymous specialist members who are chosen for their specialist knowledge and professional experience in addition to eight members of the theatre going public, four of whom judge plays, and four musicals.
The Opera, Dance and Affiliate panels each consist of three anonymous professional members, each judging their specialist area of expertise. Each panel also includes two members of the theatre going public. The Affiliate Panel judges productions in theatres represented by Affiliate members of the Society of London Theatre. The Affiliate category consists of smaller theatres that do not hold full SOLT membership and are often off-West End, for example the Lyric, Hammersmith, the Hampstead Theatre and repertory theatres such as the Old Vic, Young Vic and Royal Court Theatres. Two separate auditoria within the same theatre building may hold different memberships, such as in the case of the Royal Court Theatre.
Any new production that opens between February 16 and February 15 the following year, in a theatre represented in membership of the Society of London Theatre is eligible for entry for the Olivier Awards if it has run for a minimum of 30 performances. After a nomination has been received, it then has to be seconded by members of the Society and if it is successful, it is then seen by the relevant judging panel.
For awards in the Theatre categories, nominations are decided by a postal ballot of all members of the Theatre Panel and all members of the Society of London Theatre. For Affiliate, Opera and Dance categories, the nominations are decided only by members of the relevant panel, by way of a secret ballot.
Read more about this topic: Laurence Olivier Award
Famous quotes containing the word judging:
“If behind the erratic gunfire of the press the author felt that there was another kind of criticism, the opinion of people reading for the love of reading, slowly and unprofessionally, and judging with great sympathy and yet with great severity, might this not improve the quality of his work? And if by our means books were to become stronger, richer, and more varied, that would be an end worth reaching.”
—Virginia Woolf (1882–1941)
“The primitive wood is always and everywhere damp and mossy, so that I traveled constantly with the impression that I was in a swamp; and only when it was remarked that this or that tract, judging from the quality of the timber on it, would make a profitable clearing, was I reminded, that if the sun were let in it would make a dry field, like the few I had seen, at once.”
—Henry David Thoreau (1817–1862)
“One cannot demand of a scholar that he show himself a scholar everywhere in society, but the whole tenor of his behavior must none the less betray the thinker, he must always be instructive, his way of judging a thing must even in the smallest matters be such that people can see what it will amount to when, quietly and self-collected, he puts this power to scholarly use.”
—G.C. (Georg Christoph)