Criticism
Although interactive movies had a filmic quality that sprite-based games could not duplicate at the time, they were a niche market— the lack of direct interactivity put off many gamers. The popularity of FMV games declined after around 1995, as more advanced consoles were released.
Cost was also an issue, as these games were often very expensive to produce: Ground Zero: Texas cost Sega around US$3 million, about the same as a low-budget movie would cost in 1994. Others attracted Hollywood stars such as Isaac Hayes, noted R&B singer/songwriter and performer (Shaft), who appeared in Johnny Mnemonic: The Interactive Action Movie, Dana Plato (Diff'rent Strokes, cast for Night Trap), Debbie Harry (lead singer of Blondie hired for Double Switch), and Ron Stein (fight coordinator of Rocky and Raging Bull, who was hired as director for Sega's boxing game Prize Fighter).
Another issue that drew criticism was the quality of the video itself. While the video was often relatively smooth, it was not actually "full motion" as it was not of 24 frames per second or higher. In addition to this, the hardware it was displayed on, particularly in the case of the Sega CD, had a limited color palette (of which a maximum of 64 colors were displayable simultaneously), resulting in notably inferior image quality due to the requirement of dithering. The content was also a point of some criticism, as many FMV games featured real actors and dialogue, which was problematic if the acting itself was poor. Game designer Chris Crawford disparages the concept of interactive movies, except those aimed at elementary-school-age children, in his book Chris Crawford on Game Design. He writes that since the player must process what is known and explore the options, choosing a path at a branch-point is every bit as demanding as making a decision in a conventional game, but with much less reward since the result can only be one of a small number of branches.
Read more about this topic: Laserdisc Video Games
Famous quotes containing the word criticism:
“However intense my experience, I am conscious of the presence and criticism of a part of me, which, as it were, is not a part of me, but a spectator, sharing no experience, but taking note of it, and that is no more I than it is you. When the play, it may be the tragedy, of life is over, the spectator goes his way. It was a kind of fiction, a work of the imagination only, so far as he was concerned.”
—Henry David Thoreau (18171862)
“Homoeopathy is insignificant as an art of healing, but of great value as criticism on the hygeia or medical practice of the time.”
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“It is from the womb of art that criticism was born.”
—Charles Baudelaire (18211867)