Larry Gelbart - Writing Credits

Writing Credits

  • Duffy's Tavern (1941–1951) (Radio)
  • The Red Buttons Show (1952) (TV)
  • Honestly, Celeste! (1954) (TV)
  • Caesar's Hour (1954–1957) (TV)
  • The Patrice Munsel Show (1957) (TV)
  • The Dinah Shore Chevy Show (1958) (TV)
  • The Art Carney Show (1959) (TV)
  • Startime (1959) (TV)
  • The Best of Anything (1960) (TV)
  • Hooray for Love (1960) (TV)
  • A Funny Thing Happened on the Way to the Forum (with Burt Shevelove) (1962) (Theater)
  • The Notorious Landlady (with Blake Edwards) (1962)
  • Judy and her guests, Phil Silvers and Robert Goulet (1963) (TV)
  • The Thrill of It All (1963) (story only)
  • The Danny Kaye Show (1963) (TV)
  • The Wrong Box (with Burt Shevelove) (1966)
  • Not with My Wife, You Don't! (with Norman Panama and Peter Barnes) (1966)
  • A Fine Pair (1967) (uncredited)
  • Eddie (1971) (TV)
  • The Marty Feldman Comedy Machine (1971) (TV)
  • Roll Out (1972) (TV)
  • M*A*S*H (1972–1983) (TV) (also Co-Creator, with Gene Reynolds)
  • If I Love You, Am I Trapped Forever? (1974) (TV)
  • Karen (1975) (TV)
  • Sly Fox (1976) (Theater)
  • Three's Company (1976) (TV) (unaired pilot)
  • Oh God! (1977)
  • Movie, Movie (1978)
  • United States (1980) (TV)
  • Rough Cut (1980) (as Francis Burns)
  • Neighbors (1981)
  • Tootsie (with Murray Schisgal) (1982)
  • AfterMASH (1983–1984) (TV) (also Creator)
  • Blame it on Rio (1984)
  • City of Angels (1989) (Theater)
  • Master Gate (1990) (Theater)
  • Barbarians at the Gate (1993) (TV)
  • Weapons of Mass Distraction (1997) (TV)
  • Laughing Matters: On writing M*A*S*H, Tootsie, Oh, God! And A Few Other Funny Things (1999) (Autobiography)
  • C-Scam (2000) (TV)
  • Bedazzled (with Harold Ramis and Peter Tolan) (2000)
  • And Starring Pancho Villa as Himself (2003) (TV)

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    Nine-tenths of the value of a sense of humor in writing is not in the things it makes one write but in the things it keeps one from writing. It is especially valuable in this respect in serious writing, and no one without a sense of humor should ever write seriously. For without knowing what is funny, one is constantly in danger of being funny without knowing it.
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