Land art, Earthworks (coined by Robert Smithson), or Earth art is an art movement in which landscape and the work of art are inextricably linked. It is also an art form that is created in nature, using natural materials such as soil, rock (bed rock, boulders, stones), organic media (logs, branches, leaves), and water with introduced materials such as concrete, metal, asphalt, or mineral pigments. Sculptures are not placed in the landscape, rather, the landscape is the means of their creation. Often earth moving equipment is involved. The works frequently exist in the open, located well away from civilization, left to change and erode under natural conditions. Many of the first works, created in the deserts of Nevada, New Mexico, Utah or Arizona were ephemeral in nature and now only exist as video recordings or photographic documents. They also pioneered a category of art called site-specific sculpture, designed for a particular outdoor location.
Read more about Land Art: History, Contemporary Land Artists
Famous quotes containing the words land and/or art:
“Many children grow through adolescence with no ripples whatever and land smoothly and predictably in the adult world with both feet on the ground. Some who have stumbled and bumbled through childhood suddenly burst into bloom. Most shake, steady themselves, zigzag, fight, retreat, pick up, take new bearings, and finally find their own true balance.”
—Stella Chess (20th century)
“The Hacker Ethic: Access to computers—and anything which might teach you something about the way the world works—should be unlimited and total.
Always yield to the Hands-On Imperative!
All information should be free.
Mistrust authority—promote decentralization.
Hackers should be judged by their hacking, not bogus criteria such as degrees, age, race, or position.
You can create art and beauty on a computer.
Computers can change your life for the better.”
—Steven Levy, U.S. writer. Hackers, ch. 2, “The Hacker Ethic,” pp. 27-33, Anchor Press, Doubleday (1984)