Composition
By the summer of 1891 Wilde had already written three plays, Vera; or, The Nihilists and The Duchess of Padua had found little success, and Salome had been censored. Unperturbed, he turned from tragedy to comedy and decided to write another play. He went to the Lake District in the north of England, staying with a friend and later meeting Robert Ross there. Numerous characters in the play appear to draw their names from the north of England: Lady Windermere from the lake and nearby town Windermere, the Duchess of Berwick from Berwick-upon-Tweed, Lord Darlington from Darlington (though Wilde had used "Windermere" earlier in Lord Arthur Saville's Crime). By October the play was finished and he offered it to Sir George Alexander, the actor manager of St James's Theatre. Alexander liked the play, and offered him an advance of £1,000 for it. Wilde, impressed by his confidence, opted to take a percentage instead, from which he would earn £7,000 in the first year alone (worth £564,100 today).
Alexander was a meticulous manager and he and Wilde began exhaustive revisions and rehearsals of the play. Both were talented artists with strong ideas about their art. Wilde, for instance, emphasized attention to aesthetic minutiae rather than realism; he resisted Alexander's suggested broad stage movements, quipping that "Details are of no importance in life, but in art details are vital". These continued after the opening night, when at the suggestion of both friends and Alexander, Wilde made changes to reveal Mrs Erylnne's relationship with Lady Windermere gradually throughout the play, rather than reserving the secret for the final act. Despite these artistic differences, both were professional and their collaboration was a fruitful one.
Read more about this topic: Lady Windermere's Fan
Famous quotes containing the word composition:
“Vices enter into the composition of virtues as poisons into the composition of certain medicines. Prudence and common sense mix them together, and make excellent use of them against the misfortunes that attend human life.”
—François, Duc De La Rochefoucauld (1613–1680)
“If I don’t write to empty my mind, I go mad. As to that regular, uninterrupted love of writing ... I do not understand it. I feel it as a torture, which I must get rid of, but never as a pleasure. On the contrary, I think composition a great pain.”
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