Play
The play debuted off Broadway April 14, 2001, at the Joseph Papp Theater in New York City. It was directed by Loretta Greco, produced by George C. Wolfe, and executive produced by Fran Reiter. Rosemarie Tichler was the artistic producer.
The play is a montage of reminiscences, memories, testimonials and roman a clefs of "Miss Rachel," or Nanny, as the young Ruben Santiago, Jr. calls her. Largely abandoned by his parents, Ruben finds that Nanny becomes his surrogate family. Various incidents in Ruben's and Nanny's life are portrayed, with a large cast of quirky minor characters—friends, boarders, family members, visitors, relatives, and so on—providing commentary on Nanny's strength of character, intelligence, and morality.
The play included several songs, either sung by the characters in the play or as ambient music heard via a radio or through a window. Bill Sims Jr. provided the original music, as well as performing on-stage acoustic guitar for the play.
Lackawanna Blues is intended to be a one-man show. The actor narrating the play (an adult Ruben) was intended to portray more than 20 other characters, as well as the starring role of the young Ruben.
The play was very well received. The New York Times called it a "tour de force." Playwright Ruben Santiago-Hudson won an OBIE special citation for Lackawanna Blues, while Bill Sims, Jr. won an OBIE for his music.
Read more about this topic: Lackawanna Blues
Famous quotes containing the word play:
“I would suggest that barbarism be considered as a permanent and universal human characteristic which becomes more or less pronounced according to the play of circumstances.”
—Simone Weil (1910–1943)
“I asked you to play. If you can’t think of anything better, play a chromatic five finger exercise. But spare me your suburban shopgirl trash.”
—Muriel Box (b. 1905)
“As the creative adult needs to toy with ideas, the child, to form his ideas, needs toys—and plenty of leisure and scope to play with them as he likes, and not just the way adults think proper. This is why he must be given this freedom for his play to be successful and truly serve him well.”
—Bruno Bettelheim (20th century)