Play
The play debuted off Broadway April 14, 2001, at the Joseph Papp Theater in New York City. It was directed by Loretta Greco, produced by George C. Wolfe, and executive produced by Fran Reiter. Rosemarie Tichler was the artistic producer.
The play is a montage of reminiscences, memories, testimonials and roman a clefs of "Miss Rachel," or Nanny, as the young Ruben Santiago, Jr. calls her. Largely abandoned by his parents, Ruben finds that Nanny becomes his surrogate family. Various incidents in Ruben's and Nanny's life are portrayed, with a large cast of quirky minor characters—friends, boarders, family members, visitors, relatives, and so on—providing commentary on Nanny's strength of character, intelligence, and morality.
The play included several songs, either sung by the characters in the play or as ambient music heard via a radio or through a window. Bill Sims Jr. provided the original music, as well as performing on-stage acoustic guitar for the play.
Lackawanna Blues is intended to be a one-man show. The actor narrating the play (an adult Ruben) was intended to portray more than 20 other characters, as well as the starring role of the young Ruben.
The play was very well received. The New York Times called it a "tour de force." Playwright Ruben Santiago-Hudson won an OBIE special citation for Lackawanna Blues, while Bill Sims, Jr. won an OBIE for his music.
Read more about this topic: Lackawanna Blues
Famous quotes containing the word play:
“Love sits enthroned in Clara’s eyes,
The Graces play her lips around,
And in her cheeks the tendrest dyes
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Where charms so irresistless throng
What mortal heart can try resistance?
But ah! her nose is two feet long,
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—Horace Walpole (1717–1797)
“A great while ago the world begun,
With hey, ho, the wind and the rain,
But that’s all one, our play is done,
And we’ll strive to please you every day.”
—William Shakespeare (1564–1616)
“We can never establish with certainty what part of our relations with others is the result of our emotions—love, antipathy, charity, or malice—and what part is predetermined by the constant power play among individuals.”
—Milan Kundera (b. 1929)