Space
One of Laban's primary contributions to Laban Movement Analysis (LMA) are his theories of Space. This category involves motion in connection with the environment, and with spatial patterns, pathways, and lines of spatial tension. Laban described a complex system of geometry based on crystalline forms, Platonic solids, and the structure of the human body. He felt that there were ways of organizing and moving in space that were specifically harmonious, in the same sense as music can be harmonious. Some combinations and organizations were more theoretically and aesthetically pleasing. As with music, Space Harmony sometimes takes the form of set 'scales' of movement within geometric forms. These scales can be practiced in order to refine the range of movement and reveal individual movement preferences. The abstract and theoretical depth of this part of the system is often considered to be much greater than the rest of the system. In practical terms, there is much of the Space category that does not specifically contribute to the ideas of Space Harmony.
This category also describes and notates choices which refer specifically to space, paying attention to:
- Kinesphere: the area that the body is moving within and how the mover is paying attention to it.
- Spatial Intention: the directions or points in space that the mover is identifying or using.
- Geometrical observations of where the movement is being done, in terms of emphasis of directions, places in space, planar movement, etc.
The Space category is currently under continuing development, more so since exploration of non-Euclidian geometry and physics has evolved.
Read more about this topic: Laban Movement Analysis
Famous quotes containing the word space:
“When Paul Bunyan’s loggers roofed an Oregon bunkhouse with shakes, fog was so thick that they shingled forty feet into space before discovering they had passed the last rafter.”
—State of Oregon, U.S. public relief program (1935-1943)
“In the tale proper—where there is no space for development of character or for great profusion and variety of incident—mere construction is, of course, far more imperatively demanded than in the novel.”
—Edgar Allan Poe (1809–1849)
“Even the most subjected person has moments of rage and resentment so intense that they respond, they act against. There is an inner uprising that leads to rebellion, however short- lived. It may be only momentary but it takes place. That space within oneself where resistance is possible remains.”
—bell hooks (b. c. 1955)