Laban Movement Analysis - Shape

Shape

While the Body category primarily develops connections within the body and the body/space intent, the way the body changes shape during movement is further experienced and analyzed through the Shape category. It is important to remember that all categories are related, and Shape is often an integrating factor for combining the categories into meaningful movement.

There are several subcategories in Shape:

  • "Shape Forms" describe static shapes that the body takes, such as Wall-like, Ball-like, and Pin-like.
  • "Modes of Shape Change" describe the way the body is interacting with and the relationship the body has to the environment. There are three Modes of Shape Change:
    • Shape Flow: Representing a relationship of the body to itself. This could be amoebic movement or could be mundane habitual actions, like shrugging, shivering, rubbing an injured shoulder, etc.
    • Directional: Representing a relationship where the body is directed toward some part of the environment. It is divided further into Spoke-like (punching, pointing, etc.) and Arc-like (swinging a tennis racket, painting a fence)
    • Carving: Representing a relationship where the body is actively and three dimensionally interacting with the volume of the environment. Examples include kneading bread dough, wringing out a towel, avoiding laser-beams or miming the shape of an imaginary object. In some cases, and historically, this is referred to as Shaping, though many practitioners feel that all three Modes of Shape Change are "shaping" in some way, and that the term is thus ambiguous and overloaded.
  • "Shape Qualities" describe the way the body is changing (in an active way) toward some point in space. In the simplest form, this describes whether the body is currently Opening (growing larger with more extension) or Closing (growing smaller with more flexion). There are more specific terms - Rising, Sinking, Spreading, Enclosing, Advancing, and Retreating, which refer to specific dimensions of spatial orientations.
  • "Shape Flow Support" describes the way the torso (primarily) can change in shape to support movements in the rest of the body. It is often referred to as something which is present or absent, though there are more refined descriptors.

The majority of the Shape category was not developed during Laban's life, but added later by his followers. Warren Lamb was instrumental in creating a significant amount of the theoretical structure for understanding this category.

Read more about this topic:  Laban Movement Analysis

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    ‘A Shape all light, which with one hand did fling
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    ‘A silver music on the mossy lawn;
    Percy Bysshe Shelley (1792–1822)

    Thir dread commander: he above the rest
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    Looks through the Horizontal misty Air
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    In dim Eclips disastrous twilight sheds
    On half the Nations, and with fear of change
    Perplexes Monarchs.
    John Milton (1608–1674)

    It is as real
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    is half a bell. And outside cars whisk by on the suburban street
    and are there and are true.
    What else is this, this intricate shape of air?
    calling me, calling you.
    Anne Sexton (1928–1974)