La Sonnambula - Performance History

Performance History

With its pastoral setting and story, La sonnambula was an immediate success and is still regularly performed. The title role of Amina (the titular sleepwalker) with its high tessitura is renowned for its difficulty, requiring a complete command of trills and florid technique.

The opera was first given in London on 28 July 1831 at the King's Theatre in London and in New York on 13 November 1835 at the Park Theatre. In the 20th century, the role of Amina was sung by Maria Callas in the now-famous 1955 production by Luchino Visconti at La Scala.

Read more about this topic:  La Sonnambula

Famous quotes containing the words performance and/or history:

    So long as the source of our identity is external—vested in how others judge our performance at work, or how others judge our children’s performance, or how much money we make—we will find ourselves hopelessly flawed, forever short of the ideal.
    Melinda M. Marshall (20th century)

    I believe that in the history of art and of thought there has always been at every living moment of culture a “will to renewal.” This is not the prerogative of the last decade only. All history is nothing but a succession of “crises”Mof rupture, repudiation and resistance.... When there is no “crisis,” there is stagnation, petrification and death. All thought, all art is aggressive.
    Eugène Ionesco (b. 1912)