Reputation
La Monte Young's use of long tones and exceptionally high volume has been extremely influential with Young's associates: Tony Conrad, Jon Hassell, Rhys Chatham, Michael Harrison, Henry Flynt, Ben Neill, Charles Curtis, and Catherine Christer Hennix. Young's students include Arnold Dreyblatt, Daniel James Wolf and Lawrence Chandler. It has also been notably influential on John Cale's contribution to The Velvet Underground's sound; Cale has been quoted as saying "LaMonte was perhaps the best part of my education and my introduction to musical discipline."
Brian Eno was similarly influenced by Young's use of repetition in music. In 1981, he referred to X for Henry Flynt by saying "It really is a cornerstone of everything I've done since". Eno had himself performed the piece as a student in 1960.
Andy Warhol attended the 1962 première of the static composition by La Monte Young called Trio for Strings and subsequently created his famous series of static films including Kiss, Eat, and Sleep (for which Young was initially commissioned to provide music). Uwe Husslein cites film-maker Jonas Mekas, who accompanied Warhol to the Trio premiere and claims that Warhol's static films were directly inspired by the performance. In 1963 Warhol, Young, and Walter De Maria briefly formulated a musical group, which included lyrics written by Jasper Johns.
The album Dreamweapon: An Evening of Contemporary Sitar Music by the band Spacemen 3 is influenced by La Monte Young's concept of Dream Music, evidenced by their inclusion of his notes on the jacket.
Bowery Electric, co-founded by Chandler, dedicated the song "Postscript" on the 1996 album Beat to Young and Riley.
Lou Reed's 1975 album Metal Machine Music lists (misspelling included) "Drone cognizance and harmonic possibilities vis a vis Lamont Young's Dream Music" among its "Specifications".
Drone rock pioneer Dylan Carlson has stated Young's work as being a major influence to him.
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Famous quotes containing the word reputation:
“A prince must be prudent enough to know how to escape the bad reputation of those vices that would lose the state for him, and must protect himself from those that will not lose it for him, if this is possible; but if he cannot, he need not concern himself unduly if he ignores these less serious vices.”
—Niccolò Machiavelli (1469–1527)
“It is said that a rogue does not look you in the face, neither does an honest man look at you as if he had his reputation to establish.”
—Henry David Thoreau (1817–1862)
“I see my reputation is at stake,
My fame is shrewdly gored.”
—William Shakespeare (1564–1616)