La Monte Young - List of Works

List of Works

• Scherzo in a minor (c. 1953), piano;
• Rondo in d minor (c. 1953), piano;
• Annod (1953–55), dance band or jazz ensemble;
• Wind Quintet (1954);
• Variations (1955), string quartet;
• Young's Blues (c. 1955-59);
• Fugue in d minor (c. 1956), violin, viola, cello;
• Op. 4 (1956), brass, percussion;
• Five Small Pieces for String Quartet, On Remembering A Naiad, 1. A Wisp, 2. A Gnarl, 3. A Leaf, 4. A Twig, 5. A Tooth (1956);
• Canon (1957), any two instruments;
• Fugue in a minor (1957), any four instruments;
• Fugue in c minor (1957), organ or harpsichord;
• Fugue in eb minor (1957), brass or other instruments;
• Fugue in f minor (1957), two pianos;
• Prelude in f minor (1957), piano;
• Variations for Alto Flute, Bassoon, Harp and String Trio (1957);
• for Brass (1957), brass octet;
• for Guitar (1958), guitar;
• Trio for Strings (1958), violin, viola, cello;
• Study (c.1958-59), violin, viola (unfinished);
• Sarabande (1959), keyboard, brass octet, string quartet, orchestra, others;
• Studies I, II, and III (1959), piano;
• Vision (1959), piano, 2 brass, recorder, 4 bassoons, violin, viola, cello, contrabass;
• (1959–60), live friction sounds;
• (1959–62), jazz-drone improvisations;
• Poem for Chairs, Tables, Benches, etc. (1960), chairs, tables, benches and unspecified sound sources;
• 2 Sounds (1960), recorded friction sounds;
• Compositions 1960 #s 2, 3, 4, 5, 6, 7, 9, 10, 13, 15 (1960), performance pieces;
• Piano Pieces for David Tudor #s 1, 2, 3 (1960), performance pieces;
• Invisible Poem Sent to Terry Jennings (1960), performance pieces;
• Piano Pieces for Terry Riley #s 1, 2 (1960), performance pieces;
• Target for Jasper Johns (1960), piano;
• Arabic Numeral (Any Integer) to H.F. (1960), piano(s) or gong(s) or ensembles of at least 45 instruments of the same timbre, or combinations of the above, or orchestra;
• Compositions 1961 #s 1 - 29 (1961), performance pieces;
• Young's Dorian Blues in Bb (c. 1960 or 1961);
• Young's Dorian Blues in G (c. 1960-1961–present);
• Young's Aeolian Blues in Bb (Summer 1961);
• Death Chant (1961), male voices, carillon or large bells;
• Response to Henry Flynt Work Such That No One Knows What's Going On (c. 1962);
• (1962–64), sopranino saxophone, vocal drones, various instruments. Realizations include: Bb Dorian Blues, The Fifth/Fourth Piece, ABABA, EbDEAD, The Overday, Early Tuesday Morning Blues, and Sunday Morning Blues;
• Poem on Dennis' Birthday (1962), unspecified instruments;
• The Four Dreams of China (The Harmonic Versions) (1962), including The First Dream of China, The First Blossom of Spring, The First Dream of The High-Tension Line Stepdown Transformer, The Second Dream of The High-Tension Line Stepdown Transformer, tunable, sustaining instruments of like timbre, in multiples of 4;
• Studies in The Bowed Disc (1963), gong;
• Pre-Tortoise Dream Music (1964), sopranino saxophone, soprano saxophone, vocal drone, violin, viola, sine waves;
• The Tortoise, His Dreams and Journeys (1964–present), voices, various instruments, sine waves. Realizations include: Prelude to The Tortoise, The Tortoise Droning Selected Pitches from The Holy Numbers for The Two Black Tigers, The Green Tiger and The Hermit, The Tortoise Recalling The Drone of The Holy Numbers as They Were Revealed in The Dreams of The Whirlwind and The Obsidian Gong and Illuminated by The Sawmill, The Green Sawtooth Ocelot and The High-Tension Line Stepdown Transformer;
• The Well-Tuned Piano (1964-73-81-present). Each realization is a separately titled and independent composition. Over 60 realizations to date. World première: Rome 1974. American première: New York 1975;
• Sunday Morning Dreams (1965), tunable sustaining instruments and/or sine waves;
• Composition 1965 $50 (1965), performance piece;
• Map of 49's Dream The Two Systems of Eleven Sets of Galactic Intervals Ornamental Lightyears Tracery (1966–present), voices, various instruments, sine waves;
• Bowed Mortar Relays (1964) (realization of Composition 1960 # 9), Soundtracks for Andy Warhol Films "Eat," "Sleep," "Kiss," "Haircut," tape;
• The Two Systems of Eleven Categories (1966–present), theory work;
• Chords from The Tortoise, His Dreams and Journeys (1967–present), sine waves. Realizations include: Intervals and Triads from Map of 49's Dream The Two Systems of Eleven Sets of Galactic Intervals Ornamental Lightyears Tracery (1967), sound environment;
• Robert C. Scull Commission (1967), sine waves;
• Claes and Patty Oldenburg Commission (1967), sine waves;
• Betty Freeman Commission (1967), sound and light box & sound environment;
• Drift Studies (1967–present), sine waves;
• for Guitar (Just Intonation Version) (1978), guitar;
• for Guitar Prelude and Postlude (1980), one or more guitars;
• The Subsequent Dreams of China (1980), tunable, sustaining instruments of like timbre, in multiples of 8;
• The Gilbert B. Silverman Commission to Write, in Ten Words or Less, a Complete History of Fluxus Including Philosophy, Attitudes, Influences, Purposes (1981);
• Chords from The Well-Tuned Piano (1981–present), sound environments. Includes: The Opening Chord (1981), The Magic Chord (1984), The Magic Opening Chord (1984);
• Trio for Strings (1983) Versions for string quartet, string orchestra, and violin, viola, cello, bass;
• Trio for Strings, trio basso version (1984), viola, cello, bass;
• Trio for Strings, sextet version (1984);
• Trio for Strings, String Octet Version (1984), 2 violins, 2 violas, 2 cellos, 2 basses;
• Trio for Strings Postlude from The Subsequent Dreams of China (c. 1984), bowed strings;
• The Melodic Versions (1984) of The Four Dreams of China (1962), including The First Dream of China, The First Blossom of Spring, The First Dream of The High-Tension Line Stepdown Transformer, The Second Dream of The High-Tension Line Stepdown Transformer, tunable, sustaining instruments of like timbre, in multiples of 4;
• The Melodic Versions (1984) of The Subsequent Dreams of China, (1980) including The High-Tension Line Stepdown Transformer's Second Dream of The First Blossom of Spring, tunable, sustaining instruments of like timbre, in multiples of 8;
• The Big Dream (1984), sound environment;
• Orchestral Dreams (1985), orchestra;
• The Big Dream Symmetries #s 1 - 6 (1988), sound environments;
• The Symmetries in Prime Time from 144 to 112 with 119 (1989), including The Close Position Symmetry, The Symmetry Modeled on BDS # 1, The Symmetry Modeled on BDS # 4, The Symmetry Modeled on BDS # 7, The Romantic Symmetry, The Romantic Symmetry (over a 60 cycle base), The Great Romantic Symmetry, sound environments;
• The Lower Map of The Eleven's Division in The Romantic Symmetry (over a 60 cycle base) in Prime Time from 144 to 112 with 119 (1989–1990), unspecified instruments and sound environment;
• The Prime Time Twins (1989–90) including The Prime Time Twins in The Ranges 144 to 112; 72 to 56 and 38 to 28; Including The Special Primes 1 and 2 (1989);
• The Prime Time Twins in The Ranges 576 to 448; 288 to 224; 144 to 112; 72 to 56; 36 to 28; with The Range Limits 576, 448, 288, 224, 144, 56 and 28 (1990), sound environments;
• Chronos Kristalla (1990), string quartet;
• The Young Prime Time Twins (1991), including The Young Prime Time Twins in The Ranges 2304 to 1792; 1152 to 896; 576 to 448; 288 to 224; 144 to 112; 72 to 56; 36 to 28; Including or Excluding The Range Limits 2304, 1792, 1152, 576, 448, 288, 224, 56 and 28 (1991),
• The Young Prime Time Twins in The Ranges 2304 to 1792; 1152 to 896; 576 to 448; 288 to 224; 144 to 112; 72 to 56; 36 to 28; 18 to 14; Including or Excluding The Range Limits 2304, 1792, 1152, 576, 448, 288, 224, 56, 28 and 18; and Including The Special Young Prime Twins Straddling The Range Limits 1152, 72 and 18 (1991),
• The Young Prime Time Twins in The Ranges 1152 to 896; 576 to 448; 288 to 224; 144 to 112; 72 to 56; 36 to 28; Including or Excluding The Range Limits 1152, 576, 448, 288, 224, 56 and 28; with One of The Inclusory Optional Bases: 7; 8; 14:8; 18:14:8; 18:16:14; 18:16:14:8; 9:7:4; or The Empty Base (1991), sound environments;
• The Symmetries in Prime Time from 288 to 224 with 279, 261 and 2 X 119 with One of The Inclusory Optional Bases: 7; 8; 14:8; 18:14:8; 18:16:14; 18:16:14:8; 9:7:4; or The Empty Base (1991–present), including The Symmetries in Prime Time When Centered above and below The Lowest Term Primes in The Range 288 to 224 with The Addition of 279 and 261 in Which The Half of The Symmetric Division Mapped above and Including 288 Consists of The Powers of 2 Multiplied by The Primes within The Ranges of 144 to 128, 72 to 64 and 36 to 32 Which Are Symmetrical to Those Primes in Lowest Terms in The Half of The Symmetric Division Mapped below and Including 224 within The Ranges 126 to 112, 63 to 56 and 31.5 to 28 with The Addition of 119 and with One of The Inclusory Optional Bases: 7; 8; 14:8; 18:14:8; 18:16:14; 18:16:14:8; 9:7:4; or The Empty Base (1991), sound environments;
• Annod (1953–55) 92 X 19 Version for Zeitgeist (1992), alto saxophone, vibraphone, piano, bass, drums, including 92 XII 22 Two-Part Harmony and The 1992 XII Annod Backup Riffs;
• Just Charles & Cello in The Romantic Chord (2002–2003), cello, pre-recorded cello drones and light design;
• Raga Sundara, vilampit khayal set in Raga Yaman Kalyan (2002–present), voices, various instruments, tambura drone;
• Trio for Strings (1958) Just Intonation Version (1984-2001-2005), 2 cellos, 2 violins, 2 violas;