Comparison With The Film
In the original Luc Besson film (and in the American remake Point of No Return, also released by Warner Bros.), Nikita is a drug-addicted juvenile delinquent who was accused of killing a police officer in cold blood during an attempted robbery of a pharmacy. She is later arrested and sentenced to death by lethal injection, upon which she was secretly drugged by the government, faking her death. Nikita is then "recruited" by a secret government organization and transformed into a highly skilled assassin who cannot be traced.
The television series differs from the film versions in one fundamental aspect: Nikita (Peta Wilson) is innocent. She is not a killer, nor a drug user, just a homeless young woman in the wrong place at the wrong time. Section One—an elite, top-secret counter-terrorism organization—sets Nikita up to be accused of murdering a police officer and sentenced to life in prison where she supposedly commits suicide and is brought into Section One. Because Nikita will be killed (or "cancelled") if she fails to comply, she is forced to carry out the organization's ruthless methods of fighting terrorism, while attempting to keep her moral integrity intact. This personal struggle becomes the primary conflict of the series. A key scene in the two theatrical films involves Nikita's first assignment—to murder a VIP in a crowded restaurant. Although the Nikita of the television series eventually does become, by necessity, a ruthless killer, in the television version of this first mission she uses her ingenuity to avoid having to kill the VIP (whereas the film versions of the character complete the assignment). However, despite the machinations of others in power around her, Nikita retains her compassion and humanity.
Over time, Nikita's secretive and risky romantic involvement with her trainer, the mysterious Michael Samuelle (Roy Dupuis), will become another source of conflict, and the series' most significant relationship. Just before the conclusion of the series, Nikita also learns the truth of why she was recruited into Section One.
Read more about this topic: La Femme Nikita
Famous quotes containing the words comparison with the, comparison with, comparison and/or film:
“[Girls] study under the paralyzing idea that their acquirements cannot be brought into practical use. They may subserve the purposes of promoting individual domestic pleasure and social enjoyment in conversation, but what are they in comparison with the grand stimulation of independence and self- reliance, of the capability of contributing to the comfort and happiness of those whom they love as their own souls?”
—Sarah M. Grimke (17921873)
“Certainly there is not the fight recorded in Concord history, at least, if in the history of America, that will bear a moments comparison with this, whether for the numbers engaged in it, or for the patriotism and heroism displayed.”
—Henry David Thoreau (18171862)
“Away with the cant of Measures, not men!Mthe idle supposition that it is the harness and not the horses that draw the chariot along. No, Sir, if the comparison must be made, if the distinction must be taken, men are everything, measures comparatively nothing.”
—George Canning (17701827)
“To read a newspaper for the first time is like coming into a film that has been on for an hour. Newspapers are like serials. To understand them you have to take knowledge to them; the knowledge that serves best is the knowledge provided by the newspaper itself.”
—V.S. (Vidiadhar Surajprasad)