L. Ron Hubbard - Biographies

Biographies

The Church of Scientology has not yet published a comprehensive official biography of Hubbard. During his lifetime, a number of brief biographical sketches were published in his Scientology books. The Church of Scientology issued "the only authorized LRH Biography" in October 1977. His life was illustrated in print in What Is Scientology?, a glossy publication published in 1978 with paintings of Hubbard's life contributed by his son Arthur.

Following Hubbard's death, Bridge Publications has published several stand-alone biographical accounts of his life, notably The Ron Series, dedicated to various aspects of Hubbard's life and work. Marco Frenschkowski notes that "non-Scientologist readers immediately recognize some parts of Hubbard's life are here systematically left out: no information whatsoever is given about his private life (his marriages, divorces, children), his legal affairs and so on." The Church maintains an extensive website presenting the official version of Hubbard's life. It also owns a number of properties dedicated to Hubbard including the Los Angeles-based L. Ron Hubbard Life Exhibition, a presentation of Hubbard's life, and the Author Services Center, dedicated to Hubbard's writings, and the L. Ron Hubbard House in Washington, D.C.

In the late 1970s two men began to assemble a very different picture of Hubbard's life. Michael Linn Shannon, a resident of Portland, Oregon, became interested in Hubbard's life story after an encounter with a Scientology recruiter. Over the next four years he collected previously undisclosed records and documents. He intended to write an exposé of Hubbard and sent a copy of his findings and key records to a number of contacts but was unable to find a publisher.

Shannon's findings were acquired by Gerry Armstrong, a Scientologist who had been appointed Hubbard's official archivist. He had been given the job of assembling documents relating to Hubbard's life for the purpose of helping Omar V. Garrison, a non-Scientologist who had written two books sympathetic to Scientology, to write an official biography. However, the documents that he uncovered convinced both Armstrong and Garrison that Hubbard had systematically misrepresented his life. Garrison refused to write a "puff piece" and declared that he would not "repeat all the falsehoods they had perpetuated over the years." He wrote a "warts and all" biography while Armstrong quit Scientology, taking five boxes of papers with him. The Church of Scientology and Mary Sue Hubbard sued for the return of the documents while settling out of court with Garrison, requiring him to turn over the nearly completed manuscript of the biography. In October 1984 Judge Paul G. Breckenridge ruled in Armstrong's favor, saying:

The evidence portrays a man who has been virtually a pathological liar when it comes to his history, background and achievements. The writings and documents in evidence additionally reflect his egoism, greed, avarice, lust for power, and vindictiveness and aggressiveness against persons perceived by him to be disloyal or hostile. At the same time it appears that he is charismatic and highly capable of motivating, organizing, controlling, manipulating and inspiring his adherents. He has been referred to during the trial as a "genius", a "revered person", a man who was "viewed by his followers in awe". Obviously, he is and has been a very complex person and that complexity is further reflected in his alter ego, the Church of Scientology.

In November 1987, the British journalist and writer Russell Miller published Bare-faced Messiah, the first full-length biography of L. Ron Hubbard. He drew on Armstrong's papers, official records and interviews with those who had known Hubbard including ex-Scientologists and family members. The book was well-received by reviewers but the Church of Scientology sought unsuccessfully to prohibit its publication on the grounds of copyright infringement. Other critical biographical accounts are found in Bent Corydon's L. Ron Hubbard, Messiah or Madman? (1987) and Jon Atack's A Piece of Blue Sky (1990).