Significant Collaborations
Nadeem-Shravan
Sanu often collaborated with Nadeem-Shravan. Some of their big success included songs from movies like ', Dil Hai Ke Manta Nahin (1991), Sadak (1991), Saajan (1991), Deewana (1992), Dil Ka Kya Kasoor (1992), Kal Ki Awaz (1992), Shreeman Aashique (1993), Salami (1993), Damini – Lightning (1993), Dilwale (1994), Agni Sakshi (1996), Raja Hindustani (1996), Jeet (1996), Pardes (1997), Sirf Tum (1999), Kasoor (2001), Andaaz (2003), among others.
Jatin Lalit
Sanu started his work with Jatin Lalit from the 1992 film Khiladi, from then on he provided his voices for hit movies like Raju Ban Gaya Gentleman (1992), Kabhi Haan Kabhi Naa (1993) Dilwale Dulhania Le Jayenge (1995), Khamoshi (1996), Yes Boss (1997), Jab Pyaar Kisise Hota Hai (1998), Kuch Kuch Hota Hai (1998), Pyaar To Hona Hi Tha (1998), Ghulam (1998), Dil Kya Kare (1999).
Anu Malik
Sanu has sung various genres of songs with Anu Malik. Specifically Anu Malik is the one who has made Sanu to sing his first western type song 'Yeh Kaale Kaale Aankhe' from Baazigar (1993) and Kumar Sanu became a full fledged versatile singer mainly because of Anu Malik. Some notable movies of their combo are Phir Teri Kahani Yaad Aayi (1993), Sir (1993), Imtihaan (1994), Vijaypath (1994), Main Khiladi Tu Anari (1994), Naaraaz (1994), Naajayaz (1995), Diljale (1996), Virasat (1997), Judwaa (1997), Tamanna (1997), Duplicate (1998), Ishq Vishq (2003), No Entry (2005) and many more.
Other composers
In a career spanning two decades he has sung with other composers including R.D. Burman, Bappi Lahiri, Anand-Milind, Himesh Reshammiya, Ismail Darbar, Kalyanji Anandji, Laxmikant-Pyarelal, Rajesh Roshan, Sajid-Wajid, Viju Shah, Uttam Singh, Raam Laxman, Dilip Sen-Sameer Sen, Anand Raj Anand, Aadesh Shrivastava, Vishal–Shekhar, M. M. Keeravani, Vishal Bharadwaj and also A. R. Rahman.
Read more about this topic: Kumar Sanu
Famous quotes containing the word significant:
“All significant truths are private truths. As they become public they cease to become truths; they become facts, or at best, part of the public character; or at worst, catchwords.”
—T.S. (Thomas Stearns)