Career
Sutherland's first film role was as Mae Thompson in the 1989 film Honey, I Shrunk the Kids. In 1997, she auditioned for the role of Joyce Summers on The WB Television Network's up-and-coming television series Buffy the Vampire Slayer. Creator Joss Whedon later stated that one of the reasons he chose Sutherland for the role was the fact that she exuded a warm demeanour, as well as what he believed to be a close resemblance to actress Sarah Michelle Gellar, who was to portray her daughter in the series. She appeared regularly on the show for the first five seasons before leaving, but returned for three more guest appearances, 1 in season 6 and 2 in season 7. In April 2008, she had a guest starring role on New Amsterdam as the wife of John Amsterdam's first partner, in the episode "Reclassified".
After she left Buffy the Vampire Slayer in 2002, Sutherland decided to attend a still photography course at Santa Monica College and later took a 12-month residence in Italy with her husband and daughter. She so enjoyed the course—and the art of taking photographs—that it encouraged her to open up her own studio, with an emphasis on portraiture.
Read more about this topic: Kristine Sutherland
Famous quotes containing the word career:
“John Brown’s career for the last six weeks of his life was meteor-like, flashing through the darkness in which we live. I know of nothing so miraculous in our history.”
—Henry David Thoreau (1817–1862)
“It is a great many years since at the outset of my career I had to think seriously what life had to offer that was worth having. I came to the conclusion that the chief good for me was freedom to learn, think, and say what I pleased, when I pleased. I have acted on that conviction... and though strongly, and perhaps wisely, warned that I should probably come to grief, I am entirely satisfied with the results of the line of action I have adopted.”
—Thomas Henry Huxley (1825–95)
“Whether lawyer, politician or executive, the American who knows what’s good for his career seeks an institutional rather than an individual identity. He becomes the man from NBC or IBM. The institutional imprint furnishes him with pension, meaning, proofs of existence. A man without a company name is a man without a country.”
—Lewis H. Lapham (b. 1935)