Career
Sutherland's first film role was as Mae Thompson in the 1989 film Honey, I Shrunk the Kids. In 1997, she auditioned for the role of Joyce Summers on The WB Television Network's up-and-coming television series Buffy the Vampire Slayer. Creator Joss Whedon later stated that one of the reasons he chose Sutherland for the role was the fact that she exuded a warm demeanour, as well as what he believed to be a close resemblance to actress Sarah Michelle Gellar, who was to portray her daughter in the series. She appeared regularly on the show for the first five seasons before leaving, but returned for three more guest appearances, 1 in season 6 and 2 in season 7. In April 2008, she had a guest starring role on New Amsterdam as the wife of John Amsterdam's first partner, in the episode "Reclassified".
After she left Buffy the Vampire Slayer in 2002, Sutherland decided to attend a still photography course at Santa Monica College and later took a 12-month residence in Italy with her husband and daughter. She so enjoyed the course—and the art of taking photographs—that it encouraged her to open up her own studio, with an emphasis on portraiture.
Read more about this topic: Kristine Sutherland
Famous quotes containing the word career:
“I’ve been in the twilight of my career longer than most people have had their career.”
—Martina Navratilova (b. 1956)
““Never hug and kiss your children! Mother love may make your children’s infancy unhappy and prevent them from pursuing a career or getting married!” That’s total hogwash, of course. But it shows on extreme example of what state-of-the-art “scientific” parenting was supposed to be in early twentieth-century America. After all, that was the heyday of efficiency experts, time-and-motion studies, and the like.”
—Lawrence Kutner (20th century)
“The problem, thus, is not whether or not women are to combine marriage and motherhood with work or career but how they are to do so—concomitantly in a two-role continuous pattern or sequentially in a pattern involving job or career discontinuities.”
—Jessie Bernard (20th century)